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Artiste: Brindley Sherratt

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Aix-en-ProvenceDie ZauberflöteNouvelle production

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Mozart: La Flûte enchantée (Die Zauberflöte)
Leonardo García-Alarcón; Clément Cogitore; Festival d'Aix-en-Provence; Alban Ho Van; Wojciech Dziedzic; Sylvain Verdet; Cappella Mediterranea

EdimbourgMozart’s Don GiovanniVersion de concert

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Mozart: Don Giovanni
Maxim Emelyanychev; Scottish Chamber Orchestra; Scottish Chamber Orchestra Chorus; Konstantin Krimmel; Michael Sumuel

LondresParsifalNouvelle production

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Wagner: Parsifal
Jakub Hrůša; Evgeny Titov; The Royal Opera; Étienne Pluss; Esther Bialas; DM Wood; Orchestra of the Royal Opera House Covent Garden
Critiques récentesEn voir plus...

La Missa solemnis belle mais pas divine des Balthasar Neumann

Thomas Hengelbrock dirige la Missa solemnis au Festival d'Aix-en-Provence © Vincent Beaume
L'orchestre et le chœur dirigés par Thomas Hengelbrock ont livré une belle interprétation mais trop peu contrastée et surprenante pour véritablement émouvoir.

Wretches like us: the LPO’s concert Wozzeck cuts to the quick

Stéphane Degout © Pete Woodhead
Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival. 

La excelsa tríada Davidsen-Hilley-Mälkki salva a Tristan und Isolde

Lise Davidsen (Isolda) © Sergi Panizo | Gran Teatre del Liceu
Un estreno fuertemente desequilibrado; con altas posibilidades de haberse convertido en una de las representaciones históricas del teatro, la contraposición entre dramaturgia y música lo impidió.

Willis-Sørensen headlines a successful Arabella revival at the Met

Rachel Willis-Sørensen (Arabella) © Marty Sohl | Met Opera
The Metropolitan Opera revives Otto Schenk’s venerable staging of Strauss’s intimate melodrama. 

ENO, BBC join forces in stunning Lady Macbeth of Mtsensk

Amanda Majeski (Katerina Izmailova) © Andy Paradise
David Pountney's vernacular translation and Ruth Knight's vivid staging lent a thrilling immediacy to Shostakovich's chilling opera.

In Mears’ bleak Royal Opera Semele, Pretty Yende stands out

Pretty Yende (Semele) © The Royal Opera | Camilla Greenwell
Superb Handelian singing and intense character acting light up Handel’s Semele, staged as a stark, uncompromising indictment of the rich and powerful.