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Artiste: Gyula Orendt

Spectacles à venirEn voir plus...

BerlinIl barbiere di Siviglia

Rossini: Barbiere di Siviglia, Il (Le Barbier de Séville)
Massimo Zanetti; Ruth Berghaus; Staatsoper Berlin; Achim Freyer; Teresa Iervolino; Juan José de León

ParisFestival Présences, concert 12 : Sometimes Voices

Grime, Benjamin, Adámek, Combier, Messiaen
Orchestre Philharmonique de Radio France; Marie-Noëlle Maerten; Gyula Orendt; Landy Andriamboavonjy; Nicolas Simeha; Shigeko Hata

BerlinCosì fan tutteNew production

Mozart: Così fan tutte
Daniel Barenboim; Vincent Huguet; Staatsoper Berlin; Aurélie Maestre; Clémence Pernoud; Elsa Dreisig; Marianne Crebassa

BerlinIl barbiere di Siviglia

Rossini: Barbiere di Siviglia, Il (Le Barbier de Séville)
Julien Salemkour; Ruth Berghaus; Staatsoper Berlin; Achim Freyer; Tara Erraught; Juan José de León

BerlinDon Giovanni

Mozart: Don Giovanni
Pablo Heras-Casado; Claus Guth; Staatsoper Berlin; Massimo Zanetti; Christian Schmidt; Gyula Orendt
Critiques récentesEn voir plus...

Lebendige Oper: Everdings Zauberflöte in Berlin

Die Zauberflöte © Monika Rittershaus
Die Zauberflöte besteht in Berlin alle Prüfungen, René Pape begeistert als Sarastro besonders.

Ruth Berghaus’ timeless Barbiere still charms at Unter den Linden

Jennifer Rivera (Rosina) and Colin Lee (Almaviva) © Monika Rittershaus (2010)
Marianne Crebassa and Maxim Mironov shine in a revival of Rossini’s masterpiece, for an evening of great fun.

Duplicity and deceit as Così returns to The Royal Opera

Serena Malfi (Dorabella) © ROH | Stephen Cummiskey
Everyone is in the know in Jan Philipp Gloger's “School for Lovers”, receiving its first revival at Covent Garden. 

Violetter Schnee: Snowy apocalypse at the Staatsoper Berlin

Violetter Schnee © Monika Rittershaus

The world is sinking in "Violet Snow", as the opera by Beat Furrer, directed by Claus Guth, is given its world premiere at the Staatsoper unter den Linden. 

Too many mirrors spoil the Staatsoper's Hippolyte et Aricie

Reinoud Van Mechelen (Hippolyte), Anna Prohaska (Aricie), Staatsopernchor © Karl and Monika Forster
Excellent musical performances are confounded by clumsy, unimaginative staging in Rameau's explosive first opera.