The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor.
Opha Phelan’s staging presents the action as a grand, Freudian social experiment. It’s a risk – but the production is lifted by outstanding performances from the cast and the Academy of Ancient Music.
Tenor Ed Lyon fulfils a long-held ambition to sing Monteverdi's Eighth Book of Madrigals, conducted by his former teacher, Laurence Cummings at Milton Court.
Ovid’s Metamorphoses makes an ideal curtain-raiser to the Academy of Ancient Music's new season, with works by Charpentier and Rameau conducted by Laurence Cummings... who also sings!
Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.
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