Pier Luigi Pizzi’s Barbiere triumphs in Pesaro

Par Laura Servidei, 18 août 2018

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“Maxim Mironov.. coloratura sparkling, executed with style and precision”

Critique faite à Vitrifrigo Arena, Pesaro, le 16 août 2018

Rossini, Il barbiere di Siviglia (Le Barbier de Séville)

Yves Abel, Direction

Pier Luigi Pizzi, Mise en scène, Décors, Costumes

Maxim Mironov, Le comte Almaviva

Aya Wakizono, Rosina

Davide Luciano, Figaro

Pietro Spagnoli, Bartolo

Michele Pertusi, Basilio

Elena Zilio, Berta

William Corrò, Fiorello

Coro del Teatro Ventidio Basso

Orchestra Sinfonica Nazionale della Rai

Pizzi’s elegant, black and white Barbiere convinces again in Pesaro

Laura Servidei, 10th August

Rossini’s most famous masterpiece returns to Pesaro in Pier Luigi Pizzi’s beloved production, with a solid cast.

***11

Flailing capes, plumed helmets, Baroque machinery: Pizzi's Rinaldo!

Laura Servidei, 31st August

Federico Maria Sardelli conducts an historic production of Handel’s first Italian opera for London with energy and Baroque spirit. Teresa Iervolino takes the leading role in a convincing cast.

****1

Moïse et Pharaon in Pesaro: the Rossini Opera Festival is back!

Laura Servidei, 6th August

A new production by Pier Luigi Pizzi opens the festival in Pesaro with Giacomo Sagripanti in the pit leading a strong cast and powerful chorus.

****1

Martina Franca showcases Manfroce with Ecuba

David Karlin, 4th August

Carmela Remigio excels as the Trojan Queen; Sesto Quatrini conducts a superb account of the music of a Calabrian composer who died far too young.

***11

Secrets in an Italian summer: Cimarosa's Matrimonio segreto

David Karlin, 3rd August

The best-laid plans go astray when the noble Count Robinson falls for the wrong sister, setting up a lovely night of opera.

****1

Regatas, carnavales y mucho clamor en La Gioconda del Liceu

Maria Sánchez, 8th April

Las sopranos Anna Pirozzi, Ketevan Kemoklidze y la mezzo María José Montiel fueron las que se llevaron el estrépito de aplausos y la emoción del público. Exhibición de potencia y dramatismo en una obra poco dada en el teatro condal, sobre un fondo estético y sin tratamiento dramatúrgico.

*****

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Laura Servidei

Mathematician, science nerd, translator of popular science books, obsessed opera fan since the teen years. Day job: business analyst in a software house developing systems for the financial industry. Amateur choral singer. Main musical interests: baroque music and Italian opera. Originally from Italy, currently based in Sweden. I make a mean eggplant parmesan.