Energetic performances in Düsseldorf matinee

Par Olga de Kort, 25 mars 2016

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Critique faite à Tonhalle: Großer Saal, Düsseldorf, le 20 mars 2016

Beavers, Symphonic Transformations of a Theme by John Beall

Poulenc, Concerto pour deux pianos et orchestre en ré mineur, FP 61

Bizet, Jeux d'enfants, Op.22

Dvořák, Symphonie no. 9 en mi mineur, «du Nouveau Monde», Op.95

Düsseldorfer Symphoniker

Arthur Jussen, Piano

Lucas Jussen, Piano

Dmitry Liss, Direction

Exciting new talents at Ballett am Rhein in a versatile new programme

Vikki Jane Vile, 23rd March

After a more traditional direction from the new leadership of Ballett am Rhein in their season opener, new programme Kaleidoskop is a mixed selection that sees a fusion of contemporary and neoclassical choreography.

****1

Lacking passion: Ballett am Rhein presents A Kiss to the World

Vikki Jane Vile, 26th January

Dominique Dumais ultimately seeks to address how humans long for contact and closeness, and explore the different meanings there can be behind a kiss.

**111

Demis Volpi's very modern Giselle: memorable but not fully formed

Vikki Jane Vile, 12th November

There are many ways to tell the story of Giselle, and Demis Volpi’s version for Ballett am Rhein offers up more than the odd surprise.

***11

Ambitious programme offers mixed results for Ballett am Rhein

Vikki Jane Vile, 13th October

Programming three choreographers who are always box office favourites is as sure fire a hit for Ballett am Rhein who debut this neoclassical triple bill featuring a selection of successes.

***11

Scheitern statt Scheiterhaufen: Die Jungfrau von Orléans in Düsseldorf

Svenja Koch, 9th September

Elisabeth Stöppler inszeniert Tschaikowsky-Rarität als Charakterstudie statt Kriegstableau.

****1

Reality wants augmenting in Daniel Kramer's Die tote Stadt

Eleanor Knight, 16th April

What's a director to do while we wait for technology to catch up with the complexities of the human condition?

***11

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Olga de Kort

Musicologist and music critic Olga de Kort (The Netherlands) studied in Russia (piano, culture sciences), France (journalism) and the Netherlands (musicology and music history, music education and communication, organ) where she has lived from 1998. She is active as a music journalist, lecturer in music history and culture and as a freelance musician. She writes for Piano Bulletin, Pianist, Luister, Preludium, De Klank, Het Orgel, Muziek&Liturgie, Kunstzone and Bachtrack. Besides her personal journalist blog, Olga de Kort has a website about Russian music in the Netherlands. At this moment she is working on a book about Russian music and musicians in the Netherlands and on a biography of Russian singer Anna El Tour.