Leonine masterpieces from the Malta Philharmonic

Par Mark Valencia, 18 mars 2019

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“Guy Braunstein has a masterly command of this 45-minute repertoire monster”

Critique faite à Mediterranean Conference Centre, Valletta, le 16 mars 2019

Brahms, Concerto pour violon en ré majeur, Op.77

Brahms, Danse hongroise no. 6 en ré majeur

Mahler, Symphonie no. 5 en ut dièse mineur

Guy Braunstein, Violon

Malta Philharmonic Orchestra

Michalis Economou, Direction

Agata Zając, Assistant conductor

The Maltese embrace Austro-German Romanticism in Valletta

Alexander Hall, 26th January

The Malta Philharmonic Orchestra, with their Dutch-Maltese conductor Lawrence Renes and the British soprano Emma Bell, embrace the cause of Wagner and Bruckner in the heart of the Mediterranean.

***11

A Hero's Life: Malta Philharmonic performs Rachmaninov and Strauss

Dominic Lowe, 27th January

As Valletta celebrates its title as 2018 European Capital of Culture, the Malta Philharmonic gave an enthusiastic national premiere of Strauss' Ein Heldenleben.

****1

Enthusiasm and vitality brings the Malta PO season to a climax

Anthony Hart, 29th May

Schembri and the Malta Philharmonic Orchestra brings vitality, enthusiasm and maturity to the final concert of the season.

****1

A Evening of Magic with the Malta Philharmonic Orchestra

Anthony Hart, 7th March

The Malta Philharmonic Orchestra revels in magic and the supernatural.

****1

Le festin Brahms des Berliner Philharmoniker au TCE

Pierre Liscia-Beaurenaut, 7th February

En formation de chambre, les musiciens des Berliner Philharmoniker font admirer leurs qualités solistiques aux côtés d'Edgar Moreau et Sunwook Kim, dans un programme associant Mozart et Brahms.

***11

Impérial, Sunwook Kim ouvre le cycle Brahms aux Champs-Elysées

Alain Lompech, 14th October

Le jeune pianiste impose une présence faite d'une plénitude pianistique et spirituelle qui confirment ses premiers prix aux Concours Clara-Haskil et de Leeds.

*****

Plus de critiques...

Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.