Dark deeds under the microscope: Britten's Lucretia

Par David Karlin, 06 juillet 2015

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“This production...puts each of its characters under the microscope and explores every nuance”

Critique faite à Glyndebourne Opera House, Glyndebourne, le 5 juillet 2015

Britten, Le Viol de Lucrèce

Glyndebourne Festival Opera

Leo Hussain, Direction

Fiona Shaw, Mise en scène

Michael Levine, Décors

Nicky Gallibrand, Costumes

Kate Royal, Chœur féminin

Louise Alder, Lucia

Catherine Wyn-Rogers, Bianca

Christine Rice, Lucrèce

Allan Clayton, Chœur masculin

Duncan Rock, Tarquin

Matthew Rose, Collatin

Michael Sumuel, Junius

London Philharmonic Orchestra

Glyndebourne revives Michieletto’s Kátya Kabanová

Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Unhurried suspense in a very English Parsifal

Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

Glyndebourne’s season opens with Rossini’s Barber of Seville

David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

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David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.

Dark deeds under the microscope: Britten's Rape of Lucretia at Glyndebourne