Rossini's La Cenerentola: a rags-to-riches romance in Naples

Par Lorenzo Fiorito, 30 juin 2015

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“Serena Malfi’s singing had agility and power... with some superb moments of limpid technique”

Critique faite à Teatro di San Carlo, Naples, le 28 juin 2015

Rossini, La Cenerentola (Cendrillon)

Teatro di San Carlo

Gabriele Ferro, Direction

Paul Curran, Mise en scène

Zaira de Vincentiis, Costumes

Pasquale Grossi, Décors

Serena Malfi, Angelina (Cinderella)

Carlo Lepore, Don Magnifico

Caterina Di Tonno, Clorinda

Candida Guida, Tisbe

Maxim Mironov, Don Ramiro

Simone Alberghini, Dandini, valet de Ramiro

Luca Tittoto, Alidoro

Orchestra del Teatro di San Carlo

Coro del Teatro di San Carlo

Oscar Cecchi, Revival Director

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Lorenzo Fiorito, 11th March

Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.

***11

Laurent Pelly’s Falstaff passes the Naples test with flying colours

Lorenzo Fiorito, 15th February

The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice.

*****

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Lorenzo Fiorito, 18th January

Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge in redundant symbolism.

***11

Ennio Morricone’s only opera, Partenope, finally premiered in Naples

Lorenzo Fiorito, 14th December

Vanessa Beecroft’s production of Ennio Morricone’s demanding sole opera relies on strong visual images.

***11

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Lorenzo Fiorito, 10th December

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***11

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Lorenzo Fiorito, 11th October

Faithful to the libretto’s dramaturgy, the staging unfolds in scenographic environments of strong impact -

****1

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Lorenzo Fiorito

Lorenzo Fiorito holds degrees in Humanities and in Languages and Literatures, and a Phd in Languages for Special Purposes. He is a lecturer in historical musicological subjects at the Pegaso University, Naples, the Universitas Mercatorum, Rome and MEDEA Higher Education Institution, Malta, currently researching musicology as a special language. He is a member of the National Music Critics Association and of the Italian Society of Musicology. He edited a series of volumes in Musicology and History of Music for the publisher Diana Edizioni, mainly concerning the Neapolitan School of Music of the 18th century, and is the founder and artistic director of the “Francesco Durante Festival” in Frattamaggiore.