Cleveland Orchestra opens 100th season with a stunning Cunning Little Vixen

Par Sam Jacobson, 29 septembre 2017

Chargement en cours, veuillez patienter...

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“Her light, limpid tone coyly capturing the intended capriciousness”

Critique faite à Severance Music Center: Mandel Concert Hall, Cleveland, le 23 septembre 2017

Janáček, La Petite Renarde rusée

Franz Welser-Möst, Direction

Yuval Sharon, Mise en scène

Alan Held, le Garde-Chasse

Martina Janková, la Renarde

Jennifer Johnson Cano, le Renard

David Cangelosi, l'Instituteur

Daryl Freedman, Lapák

Dashon Burton, le Prêtre, le Blaireau

Andrew Foster-Williams, Le vagabond Harašta

The Cleveland Orchestra

The Cleveland Orchestra Chorus

The Cleveland Orchestra Children's Chorus

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Gesamtkunstwerk mit Flügeln: Lohengrin bei den Bayreuther Festspielen

Snapdragon, 4th August

Christian Thielemann und Piotr Beczała begeistern mit *Lohengrin* bei den Bayreuther Festspielen.

*****

La bohème (in reverse) in Philadelphia

Linda Holt, 30th April

Yuval Sharon's La bohème for Opera Philadelphia proves a mix of great singing and disorienting navigation.

****1

Merrily We Roll Puccini: Boston Lyric presents Bohème in reverse

Kevin Wells, 30th September

Yuval Sharon’s production of La bohème turns the opera upside down... with captivating consequences.

****1

Elsas Emanzipation beim Bayreuther Lohengrin

Michael Vieth, 4th August

In Yuval Sharons deutungsüberladener Inszenierung setzten Christian Thielemann am Pult sowie Klaus Florian Vogt als Lohengrin leuchtende Glanzpunkte.

****1

Yuval Sharon’s pop Zauberflöte at the Staatsoper Berlin

Laura Servidei, 4th October

The Staatsoper Unter den Linden presents Yuval Sharon’s shocking production of Mozart’s masterpiece, full of references to pop culture, side by side with the traditional one by Everding in the same season. A solid cast does justice to his fun, entertaining, bold production.

****1

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Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.