A drab Don Giovanni from the Glyndebourne Tour

Par Dominic Lowe, 17 octobre 2016

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Critique faite à Glyndebourne Opera House, Glyndebourne, le 15 octobre 2016

Mozart, Don Giovanni

Glyndebourne Autumn

Pablo González, Direction

Jonathan Kent, Mise en scène

Paul Brown, Décors

Duncan Rock, Don Giovanni

Ana Maria Labin, Donna Anna

Magdalena Molendowska, Donna Elvira

Louise Alder, Zerlina

Brandon Cedel, Leporello

Anthony Gregory, Don Ottavio

Andrii Goniukov, Le Commandeur

Božidar Smiljanić, Masetto

Lloyd Wood, Revival Director

Glyndebourne Sinfonia

The Glyndebourne Chorus

The Railway Children becomes a pacy action thriller at Glyndebourne

Nick Boston, 30th October

Mark-Anthony Turnage and Rachael Hewer update Edith Nesbit’s children's novel as a spy action thriller, with an exciting score and a strong cast of singers.

****1

Glyndebourne’s iconic Dream approaches its century

Eleanor Knight, 12th October

Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season.

****1

Elisa Verzier commands Tom Cairns’ iconic Traviata at Glyndebourne

Eleanor Knight, 13th October

Elisa Verzier, making her Glyndebourne debut, is astonishing as Violetta in a revival of Tom Cairns' 2014 production.

****1

Dazzling revival of Il turco in Italia at Glyndebourne

Dominic Lowe, 12th October

A revival of Mariame Clément's production of Rossini's less-loved comic gem provides the sense of Italian sun to warm the body and belly laughs to warm the soul.

****1

Confusion clouds any central critique in Clément's Don Giovanni

Nick Boston, 12th November

Strong musical performances in a flawed and confused production revived for the autumn season at Glyndebourne.

***11

Another joyful return for Glyndebourne's fizzy Elisir d'amore

Nick Boston, 11th November

Strong solo and ensemble singing from a solid cast – with a last minute addition for Act 2 – make for a joyful revival of this much-loved production.

****1

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.