Mastery or Machismo?

Par Julie Taylor, 16 mai 2011

Chargement en cours, veuillez patienter...

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Critique faite à Sadler's Wells Theatre, Londres, le 12 mai 2011

Adagio Hammerklavier (Hans van Manen)

Solo (Hans Van Manen)

Trois Gnossiennes

Concertante

Grosse Fuge

Dutch National Ballet

Rentrée sur la pointe des pieds pour les Etoiles de l’Opéra de Paris

Laurine Mortha, 13th October

Malgré quelques temps forts, en particulier la reprise brillante de Herman Schmerman, la soirée « Etoiles de l’Opéra » laisse un avant-goût mitigé sur l'avant-scène du Palais Garnier.

***11

León, Lightfoot, van Manen : la création hollandaise à l’Opéra Garnier

Laurine Mortha, 18th April

Pour la première fois, le Ballet de l’Opéra de Paris interprète des œuvres du tandem Sol León et Paul Lightfoot, actuels directeurs artistiques du Nederlands Dans Theater.

****1

Dutch National Ballet brings much needed heat to this winter season

Mark Vicente, 10th February

The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.

****1

NBJ's Ballet Coffret is a feast of modern classics

Naomi Mori, 5th February

National Ballet of Japan's Ballet Coffret showcased the versatility of the company with modern classical works including Dawson's A Million Kisses to my Skin, van Manen's 5 Tangos and Balanchine's Theme and Variations.

****1

Ballet superstars in Frankfurt for a night to savour

Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

****1

Dutch National Ballet's Program B is the A+ Program in New York

Ivy Lin, 21st November

Dutch National Ballet's second mixed bill at New York City Center ticked all the right boxes, showcasing the depth of talent across the whole company.

*****

Plus de critiques...

Julie Taylor

Freelance PR, writer and dance critic Julie Taylor is based in the UK. Throughout her career she has worked for a number of opera and ballet companies. Julie reviews a wide range of dance from classical to modern and has a particular interest in new work.