Elektra in Budapest: all goes well... until the last minute

Szilvia Rálik (Elektra) and Atala Schöck (Klytaemnestra)

Adrienn Miksch (Chrysothemis) and Szilvia Rálik (Elektra)

Szilvia Rálik (Elektra) and Gábor Bretz (Orest)

Szilvia Rálik (Elektra) and Istvan Horvath (Aegisth)

Par George Jahn, 01 mai 2023

Chargement en cours, veuillez patienter...

Voir le listing complet

“Kovalik’s interpretation is creative in places and bold in others”

Critique faite à Hungarian State Opera: Auditorium, Budapest, le 29 avril 2023

Strauss R., Elektra

Opéra d'État hongrois

Balázs Kocsár, Direction

Balázs Kovalik, Mise en scène

Csaba Antal, Décors

Mari Benedek, Costumes

Orchestre de l'Opéra d'État hongrois

Chœurs de l'Opéra d'État hongrois

Szilvia Rálik, Elektra

Atala Schöck, Clytemnestre

Tímea Tímár, Clytemnestre

Adrienn Miksch, Chrysothémis

Gábor Bretz, Oreste

Antal Cseh, Oreste, Le précepteur d'Oreste

Istvan Horvath, Égisthe

Dániel Pataky, Égisthe

Zsófia Nagy, La Porteuse de traîne

Diána Ivett Kiss, Première Servante

Zsófia Kálnay, Deuxième Servante

Melinda Heiter, Troisième Servante

Beatrix Fodor, Quatrième Servante

Eszter Zavaros, Cinquième Servante

Mária Farkasréti, La Surveillante

Lusine Sahakyan, La Confidente

Gergely Biri, Un jeune serviteur

Máté Fülep, Un vieux serviteur

Budapest accueille ses Enfants terribles

Suzanne Lay-Canessa, 13th November

Jean Cocteau rencontre Philip Glass à l'Opéra d'État hongrois, dans le cadre neuf de l'Eiffel Art Studios, et cette production des Enfants terribles se déroule à un tempo infernal !

****1

All that glitters is not gold in Budapest's new Lohengrin

Orsolya Gyárfás, 16th November

Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

**111

A thrilling, opulent La Bayadère at Hungarian National Ballet

Gianmarco Segato, 14th June

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

Visually splendid, dramatically parched La Gioconda in Budapest

Gianmarco Segato, 11th June

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

***11

Stumbling towards the chopping block: Maria Stuarda in Budapest

Orsolya Gyárfás, 14th May

Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

**111

Hungarian National Ballet: a tremendously witty Merry Widow

Deborah Weiss, 12th February

Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.

****1

Plus de critiques...

George Jahn

George Jahn is the former Vienna bureau chief of The Associated Press. During his 35-year career at the global news organization, he covered wars, politics... and opera, reviewing productions at the Vienna State Opera, the Salzburg Festival, Bayreuth Festival and other houses in Austria and Germany. He has also written for Opera Now and International Piano magazines in London. Those he has interviewed include Matthias Goerne, Vesselina Kasarova, Thomas Hampson and Mariss Jansons. George holds or shares awards for his reporting on U.N. affairs and for his coverage of the Bosnian war. A Canadian/Hungarian citizen, he splits his time between residences in Vienna and Budapest.

Elektra at Hungarian State Opera: all goes well... until the last minute