Sir Andrew Davis leads Elgar’s Gerontius in Melbourne

Par Patricia Maunder, 09 mars 2018

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“Sir Andrew Davis marshalled his many troops... with accustomed assurance”

Critique faite à Arts Centre Melbourne: Hamer Hall, Melbourne, le 8 mars 2018

Elgar, The Dream of Gerontius, Oratorio pour solistes choeur et orchestre, Op.38

Catherine Wyn-Rogers, Mezzo-soprano

Stuart Skelton, Ténor

Nathan Berg, Baryton-basse

Melbourne Symphony Orchestra Chorus

Melbourne Symphony Orchestra

Sir Andrew Davis, Direction

Protests disrupt the Melbourne Symphony Orchestra's Proms appearance

Dominic Lowe, 29th August

Despite the disruption, the musicians of the MSO under Chief Conductor Jaime Martín continue their interesting programme of Sutherland, Dvořák and Tchaikovsky.

***11

From Elgar to didgeridoo: the Melbourne Symphony play the Elphi

Mengguang Huang, 28th August

Under Jaime Martín, the Melbourne Symphony Orchestra showcase Indigenous music through William Barton’s didgeridoo alongside Elgar and Mussorgsky, creating a visually and sonically vivid, if uneven, evening.

***11

Soloists and orchestra shine in MSO Opening Gala

Nicholas Young, 3rd March

A celebration of composer, soloist and orchestral excellence in an eclectic, if slightly eccentric, gala opening program to launch the Melbourne Symphony Orchestra's 2018 season.

****1

Bartók and Shostakovich with power and precision in Melbourne

Nicholas Young, 10th August

Pitch-perfect Bartók by Ibragimova and a boldly expansive reading of Shostakovich's Fifth by Hrůša made for an insightful evening's reflection on musical early modernity.

****1

Fraternity and frivolity: from Bizet to Elgar in Melbourne

Nicholas Young, 28th July

Under Benjamin Northey's baton and Kristian Chong's fingers, Bizet's Carmen Suite and Saint-Saëns' Second Piano Concerto dazzle, but it's Elgar's Sospiri and Enigma Variations that truly made the evening.

***11

A meeting of masterly musical minds

Nicholas Young, 15th July

Egarr, Bezuidenhout and the MSO are the perfect match in this celebration of Mozart's wit and genius, delivering historically grounded and exhilarating interpretations of treasured favourites.

****1

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Patricia Maunder

Patricia Maunder has been an arts journalist for more than 20 years, contributing to publications in Australia, Canada, New Zealand and the UK including The Sydney Morning Herald and Opera magazine. She is based in Melbourne, but considers Montreal her 'other' hometown after living there in 2012-16. For more about Patricia, visit her website.