Soloists and orchestra shine in MSO Opening Gala

Par Nicholas Young, 04 mars 2018

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Critique faite à Arts Centre Melbourne: Hamer Hall, Melbourne, le 3 mars 2018

Vine, Symphony no. 1 Microsymphony

Beethoven, Concerto pour piano et orchestre no. 5 en mi bémol majeur «l'Empereur», Op.73

Beethoven, Fidelio, Op.72: Gott! Welch Dunkel hier!

Wagner, Crépuscule des dieux (Götterdämmerung): L'Aube

Wagner, Crépuscule des dieux (Götterdämmerung): Voyage de Siegfried sur le Rhin

Wagner, La Walkyrie (Die Walküre): Winterstürme wichen dem Wonnemond

Verdi, Otello: Ballet music

Verdi, Otello: Niun mi tema

Stuart Skelton, Ténor

Nelson Freire, Piano

Melbourne Symphony Orchestra

Sir Andrew Davis, Direction

Protests disrupt the Melbourne Symphony Orchestra's Proms appearance

Dominic Lowe, 29th August

Despite the disruption, the musicians of the MSO under Chief Conductor Jaime Martín continue their interesting programme of Sutherland, Dvořák and Tchaikovsky.

***11

From Elgar to didgeridoo: the Melbourne Symphony play the Elphi

Mengguang Huang, 28th August

Under Jaime Martín, the Melbourne Symphony Orchestra showcase Indigenous music through William Barton’s didgeridoo alongside Elgar and Mussorgsky, creating a visually and sonically vivid, if uneven, evening.

***11

Sir Andrew Davis leads Elgar’s Gerontius in Melbourne

Patricia Maunder, 8th March

The double choir triumphs in the MSO’s massive, mostly successful attack on an English choral masterpiece all too rarely performed in Australia.

***11

Bartók and Shostakovich with power and precision in Melbourne

Nicholas Young, 10th August

Pitch-perfect Bartók by Ibragimova and a boldly expansive reading of Shostakovich's Fifth by Hrůša made for an insightful evening's reflection on musical early modernity.

****1

Fraternity and frivolity: from Bizet to Elgar in Melbourne

Nicholas Young, 28th July

Under Benjamin Northey's baton and Kristian Chong's fingers, Bizet's Carmen Suite and Saint-Saëns' Second Piano Concerto dazzle, but it's Elgar's Sospiri and Enigma Variations that truly made the evening.

***11

A meeting of masterly musical minds

Nicholas Young, 15th July

Egarr, Bezuidenhout and the MSO are the perfect match in this celebration of Mozart's wit and genius, delivering historically grounded and exhilarating interpretations of treasured favourites.

****1

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Nicholas Young

Nicholas Young is a graduate of the Sydney Conservatorium of Music and the Universität Mozarteum Salzburg, and is currently undertaking doctoral studies at the Melbourne Conservatorium of Music. He has concertised as pianist throughout Australia, New Zealand and Europe, winning major prizes in numerous national and international competitions, and performed concerti with the West Australian, Queensland, Adelaide and Willoughby Symphony Orchestras. Outside of performance, Nicholas has a keen interest in musicological research, especially 20th- and 21st-century piano repertoire and its composers, and alongside academic writing has prepared notes for various concert programs and CDs.