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Melbourne Symphony plays Mozart 40: a meeting of masterly musical minds

Par Nicholas Young, 17 juillet 2017
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“music-making of dynamism and three-dimensional depth”
Critique faite à Arts Centre Melbourne: Hamer Hall, Melbourne, le 15 juillet 2017
Programme
Mozart, Idomeneo, re di Creta, K366: Chaconne
Mozart, Concerto pour piano no. 23 en la majeur, K488
Mozart, Meistermusik (Maurerische Trauermusik), K477 (K479a)
Mozart, Symphonie no. 40 en sol mineur, K550
Artistes
Melbourne Symphony Orchestra
Richard Egarr, Direction
Kristian Bezuidenhout, Piano
Voir plus de critiques Concert
Protests disrupt the Melbourne Symphony Orchestra's Proms appearance
Dominic Lowe, 29th August
Despite the disruption, the musicians of the MSO under Chief Conductor Jaime Martín continue their interesting programme of Sutherland, Dvořák and Tchaikovsky.
***11
From Elgar to didgeridoo: the Melbourne Symphony play the Elphi
Mengguang Huang, 28th August
Under Jaime Martín, the Melbourne Symphony Orchestra showcase Indigenous music through William Barton’s didgeridoo alongside Elgar and Mussorgsky, creating a visually and sonically vivid, if uneven, evening.
***11
Sir Andrew Davis leads Elgar’s Gerontius in Melbourne
Patricia Maunder, 8th March
The double choir triumphs in the MSO’s massive, mostly successful attack on an English choral masterpiece all too rarely performed in Australia.
***11
Soloists and orchestra shine in MSO Opening Gala
Nicholas Young, 3rd March
A celebration of composer, soloist and orchestral excellence in an eclectic, if slightly eccentric, gala opening program to launch the Melbourne Symphony Orchestra's 2018 season.
****1
Bartók and Shostakovich with power and precision in Melbourne
Nicholas Young, 10th August
Pitch-perfect Bartók by Ibragimova and a boldly expansive reading of Shostakovich's Fifth by Hrůša made for an insightful evening's reflection on musical early modernity.
****1
Fraternity and frivolity: from Bizet to Elgar in Melbourne
Nicholas Young, 28th July
Under Benjamin Northey's baton and Kristian Chong's fingers, Bizet's Carmen Suite and Saint-Saëns' Second Piano Concerto dazzle, but it's Elgar's Sospiri and Enigma Variations that truly made the evening.
***11
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Concerto pour piano no. 23 en la majeur, K488Kristian BezuidenhoutMeistermusik (Maurerische Trauermusik), K477 (K479a)Melbourne Symphony OrchestraRichard EgarrSymphonie no. 40 en sol mineur, K550Wolfgang Amadeus Mozart
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Nicholas Young
Nicholas Young
Nicholas Young is a graduate of the Sydney Conservatorium of Music and the Universität Mozarteum Salzburg, and is currently undertaking doctoral studies at the Melbourne Conservatorium of Music. He has concertised as pianist throughout Australia, New Zealand and Europe, winning major prizes in numerous national and international competitions, and performed concerti with the West Australian, Queensland, Adelaide and Willoughby Symphony Orchestras. Outside of performance, Nicholas has a keen interest in musicological research, especially 20th- and 21st-century piano repertoire and its composers, and alongside academic writing has prepared notes for various concert programs and CDs.