Bachtrack logo
Agenda
Tous les spectaclesConcertsOpéraDanseEnfantsMaster classesConcoursFestivals
Critiques
Toutes les critiquesCritiques concertCritiques opéraCritiques danse
Articles
Tous les articlesDossiersInterviewsOpinionPlaylist
Actualités
Vidéo
Accueil VidéoTous les vidéosStreamingConcertsOpéraDanseEnfantsMaster classesÉditeurs
Site
À proposNous contacterRenvoi vers notre siteConditions d'utilisationCookiesConfidentialité
Jeunes artistes
Voyage
AgendaCritiquesArticlesVidéo

La Fenice transformed into a cathedral for Joan Antón Rechi's vision of Gounod's Faust

Par Renato Verga, 05 juillet 2021
Chargement en cours, veuillez patienter...
Voir le listing complet
“this time, Gounod's Faust should have been titled Méphistophélès...”
Critique faite à Teatro La Fenice, Venise, le 3 juillet 2021
Programme
Gounod, Faust
Artistes
Teatro La Fenice
Frédéric Chaslin, Direction
Joan Antón Rechi, Mise en scène, Décors, Costumes
Fabio Barettin, Lumières
Carmela Remigio, Marguerite
Iván Ayón-Rivas, Faust
Alex Esposito, Méphistophélès
Julie Mellor, Marthe
Paola Gardina, Siebel
Armando Noguera, Valentin
William Corrò, Wagner
Coro del Teatro La Fenice
Orchestra del Teatro La Fenice
Voir plus de critiques Opéra
La clemenza di Tito at La Fenice: splendid score, sterile stage
Laura Servidei, 23rd November

Ivor Bolton leads a great cast in a superb musical production of Mozart’s last masterpiece, in a lukewarm new production by Paul Curran.

****1
Vivaldi’s pasticcio Bajazet given an extravagant staging
Laura Servidei, 7th June

Federico Maria Sardelli leads a great cast of specialists in a new production by Fabio Ceresa, perfectly attuned to the Baroque style. 

****1
Orlando furioso: Vivaldi returns to Venice in a Baroque feast
Laura Servidei, 23rd September
Fabio Ceresa's spectacular production to the Teatro Malibran with a strong cast in the hands of Diego Fasolis.
****1
Un Ernani desacomplejado y gótico en Les Arts
Daniel Martínez Babiloni, 7th June
Les Arts concluyó la temporada con Ernani en una producción que concita tradición y modernidad, en torno a una lectura musical desprejuiciada y una versión basada en el drama gótico original.
***11
La Fenice closes season with a lively new Fille du regiment
Laura Servidei, 14th October

John Osborn dazzles again as Tonio in a nostalgic new production by Barbe and Doucet, with a strong cast under the baton of Stefano Ranzani.

***11
Full fathom five: Peter Grimes at La Fenice
Elena Luporini, 24th June
Finally reaching the stage of the Venetian theatre, Benjamin Britten's first major opera meets with success thanks to Juraj Valčuha's conducting, Paul Curran's staging and an excellent cast.
*****
Plus de critiques...
Lire critiques de
Alex EspositoArmando NogueraCarmela RemigioCharles GounodCoro del Teatro La FeniceFabio BarettinFaustFrédéric ChaslinIván Ayón-RivasJoan Antón RechiJulie MellorOrchestra del Teatro La FenicePaola GardinaTeatro La FeniceWilliam Corrò
Articles connexes
Loading image...
Farrenc, Grandval, Holmès : le Palazzetto Bru Zane remet trois compositrices en lumière
Loading image...
Bachtrack franchit le cap des 25.000 critiques
Loading image...
Ben Glassberg, sa dépression et son retour à la musique
Loading image...
Voici l'omelette : le Palazzetto Bru Zane exhume le Bizet perdu
Renato Verga
Renato Verga
Renato graduated from Turin University in Physics. He has always had a particular passion for music and the stage. A former member of a choir, he was raised in the musical milieu influenced by the eminent Italian musicologist Massimo Mila. In 2014, Renato started his own blog, which now has 1000 posts.