Hrůša’s ambitious but uneven Night at Covent Garden

Jakub Hrůša

Kateřina Kněžíková,Jakub Hrůša and the Orchestra of the Royal Opera House, Covent Garden

Par Mengguang Huang, 21 septembre 2025

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“the Royal Opera Chorus sang with discipline, stamina and impressive tonal cohesion”

Critique faite à Royal Opera House, Covent Garden, Londres, le 20 septembre 2025

Bartók, Le Mandarin merveilleux, Op.19: suite

Dvořák, The Spectre's Bride (Svatební kosile), Op.69

Kateřina Kněžíková, Soprano

Nicky Spence, Ténor

Pavol Kubáň, Baryton

Royal Opera Chorus

Orchestra of the Royal Opera House Covent Garden

Jakub Hrůša, Direction

The Royal Ballet and McGregor: stunning dancing but nothing really new

Deborah Weiss, 18th April

An evening of ballets by Wayne McGregor, including the world premiere of Quantum Souls, proved to be a little too much of the same thing.

***11

The Royal Ballet’s Mayerling: violent, feral, tortured dance

Graham Watts, 30th March

In this latest revival of Kenneth MacMillan’s Mayerling, The Royal Ballet presents a roster of powerful and vivid interpretations across the board.

****1

The Turn of the Screw at RBO Linbury: Darkness and denial

Eleanor Knight, 26th March

Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.

*****

A riveting Rigoletto revival at the Royal Opera House

Dominic Lowe, 25th March

Sir Mark Elder celebrates 50 years at Covent Garden by returning to his first opera there in 1976 – Verdi's Rigoletto – in a revival of Oliver Mears' excellent 2021 production.

****1

Siegfried at the RBO: Kosky and Pappano surprise and delight

David Karlin, 17th March

A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.

*****

A new Albrecht makes a polished Giselle shine even brighter

Deborah Weiss, 7th March

A last minute injury to Natalia Osipova does not mar the magic of Sir Peter Wright's Giselle as Marianela Núñez steps in to partner Patricio Revé.

****1

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Mengguang Huang

Mengguang Huang is a Hamburg-based project manager in the construction industry. With a strong passion for classical music, he was introduced to the world of early music during his time in the UK, where he developed a particular fondness for renaissance and Baroque vocal music. Driven by his love for this genre, he now makes it a priority to attend major Baroque opera productions and concerts across Western Europe whenever possible, continuing to deepen his appreciation for this rich musical tradition.

Central European visions: Hrůša’s ambitious but uneven Night at Covent Garden