Jeremy Denk surveys works by female composers in Oberlin

Jeremy Denk

Par Sam Jacobson, 02 décembre 2023

Chargement en cours, veuillez patienter...

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“a recital ripe with intriguing discovery and sensitive interpretation”

Critique faite à Oberlin College: Finney Chapel, Oberlin, le 30 novembre 2023

Schumann C., Romance in A minor, Op.21 no.1

León, Rituál

Chaminade, La Lisonjera, Op.50

Mazzoli, Heartbreaker

Beach, 4 Sketches: In Autumn, Op.15 no.1

Monk, Paris

Farrenc, Mélodie

Crawford Seeger, Piano Study in Mixed Accents

Chen, SumiTones

Beach, 4 Sketches: Dreaming, Op.15 no.3

Brahms, Quatre Pièces pour piano (Klavierstücke), Op.119

Schumann, Fantasie en ut majeur pour piano, Op.17

Joplin, Heliotrope Bouquet

Jeremy Denk, Piano

Fascinating 92Y recital by Jeremy Denk

Sam Jacobson, 13th December

C minor piano sonatas by Mozart and Beethoven bookended a selection of music from the United States in Jeremy Denk’s intriguing recital.

****1

Beethoven marks the end of Tanglewood’s online festival

Edward Sava-Segal, 22nd August

Joshua Bell and Jeremy Denk bring out the poetry of Beethoven's violin sonatas.

****1

Jeremy Denk shares his passion for Schumann’s music

Edward Sava-Segal, 20th August

The American pianist conveys the unique character of Schumann's Davidsbündlertänze.

****1

Three from ’05: plenty to take away from the LPO’s latest 2020 Visions

Matthew Rye, 28th February

A rare Enescu symphony makes an appearance in the latest of the LPO’s year-long series exploring works across the centuries.

***11

Beethoven's last and Dohnanyi's first at Mostly Mozart

Linda Holt, 5th August

The Takács Quartet performed quartets by Beethoven and Mozart with insight and energy. Pianist Jeremy Denk joined the ensemble in Dohnányi’s lushly romantic Piano Quintet.

*****

Concerto night at Atlanta Symphony Hall

William E Ford, 4th April

Robert Spano leads the Atlanta Symphony Orchestra in a powerful performance of Gandolfi's inspired Imaginary Numbers.

****1

Plus de critiques...

Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.