ENB's Lest We Forget

Par Alexandra Desvignes, 04 avril 2014

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Critique faite à Barbican Theatre, Londres, le 3 avril 2014

L'Oiseau de feu (George Williamson)

Dust

Second Breath

No man's Land

English National Ballet

Williamson breaks new ground with BRB

Philippa Newis, 15th June

It is good to see Birmingham Royal Ballet in such fine fettle. This triple bill is well conceived and deftly performed. Not always flawless in its execution, but a five star programme nonetheless.

*****

NEBT's Quint-essential programme

Christopher Curtis, 9th November

A rich menu of thoughtful and engaging choreography, very well performed by consistently excellent emerging dancers and musicians

****1

An energetic summer finale at DNB

Lambrecht Wessels, 11th June

Energetic evening to start your summer. You can cut out Dawson's tableaus and frame them on the wall.

*****

ABT Studio Company: The Next Generation

Andrew Blackmore-Dobbyn, 15th April

Every year, Jacqueline Kennedy Onassis School and the American Ballet Theatre Studio Company train dancers who go on to careers with dance companies all over the world.

***11

English National Ballet: Beyond Ballets Russes 1

Margaret Willis, 22nd March

Spring has sprung in London, and there was a definite taste of nature and things new abounding at the Coliseum in the first of two programmes by English National Ballet. In Beyond Ballets Russes 1 there is a ‘newly hatched’ bird, two very different ‘faunes’ and a freshly outfitted pagan ritual to the god of spring.

L'hymne à la vie de Rattle avec l'Orchestre de la radio bavaroise

Emmanuel Gaillard, 14th November

La phalange munichoise et son directeur musical ont proposé une interprétation mémorable de la Symphonie n° 2 de Schumann et de L'Oiseau de feu de Stravinsky au lendemain des commémorations des attentats du 13 novembre 2015.

*****

Plus de critiques...

Alexandra Desvignes

Alexandra was previously Bachtrack's Dance Editor. She trained as a professional dancer both in Paris and London and has performed for various ballet, opera, commercial and film productions, as well as independent projects. She studied Literature and Art History at the Open University. previously worked as Bachtrack's press coordinator, and continues to write for Bachtrack, in London and in Paris. She has previously contributed to English National Ballet's blog.

Lest We Forget: English National Ballet at the Barbican