Intense Schubert and Ravel from the Mullova trio

Andrés Orozco-Estrada and the LPO offer an eclectic and unusual mix of works which, despite commendable playing, never quite added up to a satisfying whole.

The City of London Sinfonia presents an absorbing account of Tavener's musical ecumenicism. 

Two musicians, pianist and cellist, entered on stage and started playing. After three or four minutes, the cellist stood up and spoke: “Thought that I had forgotten to talk, didn’t you?”Passionate about education, cellist Matthew Barley took the audience at St George’s through Beethoven’s Cello Sonata no. 3 in A major for an evening rush-hour concert after a cello masterclass in the afternoon.

Minimalism is, according to some, ‘The most influential musical movement of the 20th century’. Whether or not this is a little hyperbolical, minimalism does certainly deserve real recognition and exploration, and Kings Place hence merits a great deal of praise for putting on the three-day ‘50 Years of Minimalism’ festival, curated by Igor Toronyi-Lalic and led on the stage by pianists Katia and M

C’est la deuxième soirée à l’église de Saanen, remplie d’un public curieux d’entendre la violoniste russe Viktoria Mullova se produire dans Haydn et Vivaldi avec les vingt musiciens de l’ensemble Il Giardino Armonico. La contrebasse arrivée à 19 h 28 par on ne sait quel contretemps se fait gentiment charrier par ses camarades, déjà sur scène. Chronos règne sur cette soirée.