New York Philharmonic with Gilbert and Kavakos: Nielsen steals the show

Par Amanda Keil, 19 juin 2012

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 16 juin 2012

Beethoven, Coriolan, ouverture, Op. 62

Korngold, Concerto pour violon en ré majeur, Op. 35

Nielsen, Symphonie no. 3, « Espansiva », Op.27

New York Philharmonic

Alan Gilbert, Direction

Leonidas Kavakos, Violon

À New York, Daniil Trifonov réinvente le Concerto de Schumann

Jean-Pierre Rousseau, 12th October

Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.

***11

Le New York Philharmonic à Paris

Christophe Dilys, 26th April

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait !

*****

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

Plus de critiques...

Amanda Keil

Amanda Keil is a native New Yorker who sings, teaches, writes about music and fundraises for the arts. Her broad musical interests have led her to perform music from ancient to modern times, and she is the founder of Musica Nuova, which stages Baroque songs in modern settings. She blogs at thousandfoldecho.