Turnage's Beethoven and Gilbert's Ninth at the Philharmonic

Par David Allen, 07 octobre 2013

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 3 octobre 2013

Turnage, Frieze (US Premiere)

Beethoven, Symphonie no. 9 en ré mineur, Op.125

New York Philharmonic

Alan Gilbert, Direction

Julianna Di Giacomo, Soprano

Kelley O'Connor, Mezzo-soprano

Russell Thomas, Ténor

Shenyang, Basse

Manhattan School of Music Symphonic Choir

Kent Tritle, Chef de chœur

À New York, Daniil Trifonov réinvente le Concerto de Schumann

Jean-Pierre Rousseau, 12th October

Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.

***11

Le New York Philharmonic à Paris

Christophe Dilys, 26th April

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait !

*****

Semyon Bychkov conducts a triumphant New York Phil season finale

Susan Stempleski, 4th June

The Soviet-born American conductor delivers a robust account of Bruckner’s Eighth Symphony in the final program of the Philharmonic’s subscription season.

****1

Elim Chan takes the New York Philharmonic to the ball

Susan Stempleski, 27th May

The Hong Kong-born conductor conducts a masterful performance of selections from Prokofiev’s Cinderella and Philharmonic Principal Carter Brey bids farewell in Saint-Saëns’ First Cello Concerto.

****1

Memorable Mendelssohn from Marek Janowski and the New York Phil

Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony.

****1

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

Plus de critiques...

David Allen

David is a PhD student at Columbia University, where he studies international history. A lapsed pianist and organist, he writes on concerts on both sides of the Atlantic, and blogs at Unpredictable Inevitability.