Prom 36: A double dose of darkness

Par Alexander Hall, 13 août 2017

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“Dausgaard conducted a nervous and excitable view of Schubert’s Unfinished”

Critique faite à Royal Albert Hall, Londres, le 12 août 2017

Schubert, Symphonie no. 8 en si mineur «Inachevée», D.759

Mahler, Symphonie no. 10 en fa dièse majeur (compl. Cooke)

BBC Scottish Symphony Orchestra

Thomas Dausgaard, Direction

Un match à domicile en déplacement : Martyn Brabbins à Bruges

Jan-Jakob Delanoye, 3rd June

Retour sur le concert du BBC Scottish Symphony Orchestra au Concertgebouw de Bruges.

****1

Une grandiose neuvième symphonie de Bruckner par le BBC Scottish Symphony Orchestra

Julie Jozwiak, 25th September

Après un concerto pour piano de Mozart un peu décevant malgré l'interprétation très juste d'Imogen Cooper, le BBC Scottish Symphony Orchestra donne une lecture exaltante de la neuvième symphonie de Bruckner, sous la baguette de Thomas Dausgaard.

****1

Astonishing Mahler 2 from Runnicles and the BBC Scottish

David Smythe, 1st March

Sir Donald Runnicles and the BBC Scottish reunite for an astonishing Mahler 2 with Karen Cargill, Jennifer Davis and the Edinburgh Festival Chorus.

*****

Sweeping Rachmaninov and scorching Barber from the BBC Scottish

Simon Thompson, 8th February

Despite the presence of Rachmaninov's Second Piano Concerto on the bill, it is a gripping performance of Samuel Barber's First Symphony that steals this Usher Hall Sunday matinee.

****1

Meditative and powerful Górecki at Celtic Connections

David Smythe, 20th January

The Celtic Connections festival showcases Górecki’s Sorrowful Songs, the BBC Scottish with soprano Francesca Chiejina conducted by Pawel Kapula with a thoughtful introductory song set from Alice Zawadzki.

****1

Celebrating 90 years of the BBC Scottish Symphony Orchestra

David Smythe, 20th November

Martyn Brabbins conducts MacMillan’s Confession of Isobel Gowdie, BBCSSO founder Ian Whyte’s forgotten Violin Concerto with Stephanie Gonley, and a memorable Rachmaninov 2.

****1

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.

Prom 36: A double dose of darkness from Dausgaard and the BBCSSO