Oramo doesn't rock the boat in Mahler

Par Alexander Hall, 15 août 2016

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“sweet oboe tones emerging from the gloom like glints of the sun’s rays on a dark December day”

Critique faite à Royal Albert Hall, Londres, le 14 août 2016

Haydn, Symphonie no. 34 en ré mineur

Bray, Falling in the Fire (BBC commission: world premiere)

Mahler, Symphonie no. 5 en ut dièse mineur

Guy Johnston, Violoncelle

BBC Symphony Orchestra

Sakari Oramo, Direction

Le Barbican Hall transfiguré par le BBC Symphony Orchestra

Nicolas Schotter, 21st October

Le Barbican Hall accueillait le BBC Symphony Orchestra et son chef Sakari Oramo pour un programme d'une remarquable cohérence, à de multiples niveaux, et dont la gradation dramatique a conquis l'assemblée.

****1

Beethoven et Lutoslawski par le BBC SO à Londres

Julie Jozwiak, 24th April

Le BBC Symphony Orchestra donnait un programme Beethoven/Lutoslawski au Barbican Hall. Le chef Michal Nesterowic et le pianiste Steven Osborne ont remplacé les têtes d'affiche initialement annoncées. Un changement de distribution qui n’a pas empêché la soirée d'être réussie.

***11

Sakari Oramo and Yeol Eum Son summon up vivid landscapes

Christopher Woodley, 13th March

Yeol Eum Son's superb performances of Bartók and Finzi are matched by intense and heady readings of Stravinsky and Weir by the BBC Symphony Orchestra under Sakari Oramo.

****1

From snow to sludge: Icelandic music at the Barbican Centre

Marat Ingeldeev, 22nd February

A bewildering evening at the Barbican, where ambitious Icelandic programming collapses under its lofty ambition of defying genres and making music more appealing to a wide variety of audiences.

**111

Fine Lindberg and Stravinsky double bill from the BBC Symphony

Roy Westbrook, 6th February

After a performance of Magnus Lindberg’s First Violin Concerto by Lisa Batiashvili at the Barbican, Stravinsky’s Perséphone stands the test of time.

****1

UK premiere of Julia Wolfe’s unEarth impresses on scale, not substance

Susannah Moody, 23rd January

Wolfe's climate-change oratorio, performed by the BBC Symphony Orchestra, already feels out of date.

**111

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.

Prom 39: Oramo doesn't rock the boat in Mahler 5