Julian Rachlin and Sarah McElravy star in unusual Bruch in Liverpool

Par Leighton Jones, 30 avril 2022

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Critique faite à Philharmonic Hall, Liverpool, le 28 avril 2022

Bruch, Concerto pour clarinette (ou violon), alto et orchestre en mi mineur, Op.88

Mozart, Symphonie no. 36 en ut majeur, «Linz», K425

Mendelssohn, Symphonie no. 3 en la mineur, «écossaise», Op.56

Julian Rachlin, Violon, Direction

Sarah McElravy, Violon

Royal Liverpool Philharmonic Orchestra

Paul Lewis balances delicacy with power in understated RLPO Beethoven

Glyn Mon Hughes, 12th March

Understatement is key in Paul Lewis' interpretation of Beethoven's Third Piano Concerto with the Royal Liverpool Philharmonic under Adam Hickox.

***11

Domingo Hindoyan's warm Bruckner 6 beguiles Liverpool

Peter Connors, 5th February

Schubert and Saint-Saëns provide an elegant first half before a change of tone and pace with Bruckner's Sixth Symphony.

****1

Sidorova mesmerises Liverpool with Tabakova’s Accordion Concerto

Glyn Mon Hughes, 22nd January

An unusual evening of orchestral virtuosity and an ear-opening adventure with the Royal Liverpool Philharmonic Orchestra under Andris Poga.

****1

Lozakovich, Foster and the RLPO: glorious Bruch and Tchaikovsky

Peter Connors, 4th December

Daniel Lozakovich captivated the audience in Liverpool with his Bruch; Lawrence Foster conducted the RLPO in superb performances of less familiar Liszt and Tchaikovsky.

*****

Hindoyan and Hough bring a new dream team to Liverpool

Glyn Mon Hughes, 27th November

Rachmaninov’s First Piano Concerto comes alive as Stephen Hough joins Domingo Hindoyan and the RLPO in an explosive performance of this dramatic work.

*****

Vasily Petrenko brings precision and power to Shostakovich’s Leningrad

Leighton Jones, 19th October

The Royal Liverpool Philharmonic Orchestra’s former Chief Conductor returns for a concert of mostly Russian repertoire.

****1

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Leighton Jones

Leighton has extensive teaching experience from early years to postgraduate level music. Currently he works as a primary music specialist, visiting instrumental teacher and examiner. As a pianist, he was inspired to play after hearing Moura Lympany at a young age and has a large collection of her recordings. Leighton’s postgraduate studies focussed on his interest in 20th-century English orchestral music, with particular study of Britten, Rawsthorne, Walton and Vaughan Williams. A keen choral singer he has developed a comprehensive knowledge of chiefly British choral music.