RAM Opera double bill: Dido and Aeneas and The Lighthouse

Par Emily Owen, 20 mai 2013

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Critique faite à Royal Academy of Music: Sir Jack Lyons Theatre, Londres, le 16 mai 2013

Purcell, Dido and Aeneas (Didon et Énée)

Davies, The Lighthouse

Royal Academy Opera

Royal Academy of Music Sinfonia

Iain Ledingham, Direction

Lionel Friend, Direction

John Ramster, Mise en scène

Sarah Shorter, Didon

Samuel Pantcheff, Énée

Sónia Grané, Belinda

Samuel Queen, Blazes

Iain Milne, Sandy

Andri Björn Róbertsson, Arthur

Le ravissement de Semele à Londres

Georgiana Hatara, 17th November

À la Royal Academy of Music, Semele de Händel offre une expérience jubilatoire et rafraîchissante. Mise en scène ingénieuse et jeunes chanteurs talentueux sont au menu de cette production.

****1

The Royal Academy's Carmen has too many what-if moments

Dominic Lowe, 18th November

Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing.

***11

Royal Academy Opera stages a magical Zauberflöte

Mark Valencia, 18th March

A lyrical yet zesty account of Mozart's' adorable score, in a production that is on the nose and off the wall.

****1

A dystopian Hansel und Gretel at the RAM

Mark Valencia, 20th November

Jack Furness serves up an unappetising mess of Humperdinck's delicious masterpiece for Royal Academy Opera.

***11

Keeping it surreal: Martinů double-bill at the Royal Academy of Music

Dominic Lowe, 8th May

With typical spirit, the students at the Royal Academy of Music did an excellent job in bringing Martinů’s Comedy on the Bridge and Alexandre bis to life – two lesser-known pre-war surrealist gems.

***11

Unreal city: The Rake's Progress at the Royal Academy of Music

Benjamin Poore, 22nd November

Frederic Wake-Walker's realisation of the Hogarth-inspired opera is visually bracing and assuredly sung.

****1

Plus de critiques...

Emily Owen

A postgraduate student at the Guildhall School of Music and Drama specialising in early music, Emily Owen is a freelance soprano, singing with numerous ensembles. She deputises in churches around London and also manages the newly formed London Youth Choir. Her website is here.