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Life under Covid: Ruth Reinhardt and the Seattle Symphony premiere Ellen Reid's new work

Par Philippa Kiraly, 04 février 2022
Chargement en cours, veuillez patienter...
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“excitable percussion, or slithery glissandi dropped in, like short tempers exploding or meltdowns”
Critique faite à Benaroya Hall, S Mark Taper Auditorium, Seattle, le 3 février 2022
Programme
Reid, Today and Today and Today and Today and Today and Today and Today and Today and Today and Today (World premiere, Seattle Sym com.)
Stenhammar, Piano Concerto no. 2 in D minor, Op.23
Sibelius, Symphonie no. 1 en mi mineur, Op.39
Artistes
Seattle Symphony
Ruth Reinhardt, Direction
Garrick Ohlsson, Piano
Voir plus de critiques Concert
Nicholas McGegan brings delicacy and elegance to Mendelssohn
Erica Miner, 18th April
The Seattle Symphony offers an enchanting evening immersed in the joy and brilliance of both the young and the mature genius of Felix Mendelssohn.
****1
A rite of spring turned inward: Strauss’ Daphne at Seattle Opera
Thomas May, 16th January

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

****1
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Barber and Bernstein shine in this program exploring sharply contrasting faces of 20th-century Romanticism under guest conductor Alevtina Ioffe.
****1
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****1
Morlot returns to lead Seattle Symphony’s season-closing showcase
Thomas May, 19th June

Two rhapsodies anchor a program that ranges from brass-driven bravura to Ravel’s iridescent orchestral color. Seattle Symphony closes its season with breadth, nuance and elegant command from emeritus Ludovic Morlot. 

****1
Peter Oundjian bridges the centuries in Seattle
Erica Miner, 15th March
The Seattle Symphony co-commissions a new work, Jan Lisiecki plays Mozart with religious fervor, and Stravinsky's Sacre still creates an uproar.
***11
Plus de critiques...
Lire critiques de
Ellen ReidGarrick OhlssonJean SibeliusRuth ReinhardtSeattle SymphonySymphonie no. 1 en mi mineur, Op.39Wilhelm Stenhammar
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Philippa Kiraly
Philippa Kiraly
Philippa Kiraly has writing classical music criticism since 1980, for several newspapers in northern Ohio and Seattle, magazines, both local and national, and blogs. She has covered dance in Seattle for a decade. Pippa has been steeped in classical music since early childhood and is passionate about the importance of independent criticism for the fine arts, an art in itself. Pippa is a keen gardener, a keen grandparent, and can get lost in a good book.