Met hits the jackpot with revival of its Vegas Rigoletto

Par Oliver Brett, 23 janvier 2017

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“Olga Peretyatko... pure, ringing tone, imbued with a beautiful sweetness”

Critique faite à Lincoln Center: Metropolitan Opera House, New York, le 20 janvier 2017

Verdi, Rigoletto

Metropolitan Opera

Pier Giorgio Morandi, Direction

Michael Mayer, Mise en scène

Christine Jones, Décors

Susan Hilferty, Costumes

Željko Lučić, Rigoletto

Olga Peretyatko, Gilda

Stephen Costello, Le duc de Mantoue

Andrea Mastroni, Sparafucile

Oksana Volkova, Maddalena

Nelson Martinez, Monterone

The Metropolitan Chorus

The Metropolitan Opera Orchestra

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The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.

****1

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At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

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***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

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Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

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*****

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Oliver Brett

Oliver Brett is a professional organist, pianist, teacher and choral conductor. He held positions at King's College Cambridge, Westminster Cathedral and Durham Cathedral, and is currently Assistant Director of Music at St Mary's RC Cathedral in Sydney, Australia. He loves classical music of all genres.

The Met hits the jackpot with revival of its Vegas Rigoletto