Mediterranean moods: RSNO with Gilbert Varga and Miloš Karadaglić

Par Alan Coady, 15 avril 2013

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Critique faite à Usher Hall, Edimbourg, le 12 avril 2013

Respighi, Ancient Airs and Dances (suite no. 1)

Rodrigo, Concierto de Aranjuez, pour guitare et orchestre

Martucci, Notturno in G flat major, Op.70 no.1

Respighi, Fêtes romaines (Feste Romane), P157

Royal Scottish National Orchestra

Gilbert Varga, Direction

Miloš Karadaglić, Guitare

"Ode to Joy" au Glasgow Royal Concert Hall

Nicolas Tavernier, 28th May

Le RSNO a clôt sa saison samedi soir avec un programme Beethoven/Strauss.

***11

Kristiina Poska makes an exciting return to conduct the RSNO

Simon Thompson, 20th March

Kristiina Poska directs the RSNO in gripping Tchaikovsky and Pärt, but words and music only occasionally match in Elena Langer's new song cycle.

***11

Felix Klieser plays Strauss with the RSNO, before Bruckner exodus

Simon Thompson, 21st February

Felix Klieser is quietly remarkable as he plays Strauss' First Horn Concerto with the RSNO, but why did so many people walk out during Bruckner's Eighth Symphony?

****1

Giedrė Šlekytė conducts the RSNO in passionate, exciting Mahler

Simon Thompson, 5th December

Giedrė Šlekytė makes a stellar conducting debut with the RSNO, while violinist Nemanja Radulović has a great look but a disappointingly ordinary sound.

****1

Mahler magic: RSNO opens season with the Seventh Symphony

Simon Thompson, 3rd October

The Royal Scottish National Orchestra and Thomas Søndergård open their season, continuing their Mahler cycle, with the Seventh Symphony.

****1

A dramatic, declamatory Elijah closes the 2025 Edinburgh Festival

Simon Thompson, 24th August

The festival’s closing concert brings drama from the RSNO and conductor Thomas Søndergård, but Christopher Maltman's Elijah brings the presence of greatness.

****1

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Alan Coady

Alan has taught classical guitar in East Lothian schools since 1982. A graduate in Music of the then Huddersfield Polytechnic, he has a soft spot for the contemporary. He also writes a Musical Blog, where the special interest is the intersection of music/language/science.