Cranko's Onegin in San Francisco

Par Terez Rose, 03 mai 2016

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“elegant, stirring, and a powerful finish to the company’s 2016 repertory season”

Critique faite à War Memorial Opera House, San Francisco, le 30 avril 2016

Onéguine (John Cranko)

San Francisco Ballet

Kurt-Heinz Stolze, Direction

Santo Loquasto, Décors, Costumes

Lauren Strongin, Danse

Gennadi Nedvigin, Danse

Maria Kochetkova, Danse

James F Ingalls, Lumières

Joan Boada, Danse

San Francisco Ballet Orchestra

La première d’Onéguine, prélude aux adieux de Ganio et Pagliero

Laurine Mortha, 8th February

Le ballet de John Cranko sera la dernière danse de l’étoile Mathieu Ganio avant ses adieux à la scène, bientôt suivis de ceux de Ludmila Pagliero... ce qui rend la production d'autant plus bouleversante.

*****

Onéguine, un poème chorégraphique élégiaque

Jade Larine, 13th February

Cet Onéguine dansé restitue avant tout deux univers russes révolus, l'un bucolique et l'autre impérial, composant ainsi un poème chorégraphique d'une infinie poésie.

****1

Hot ice: Osipova and Brændsrød sizzle in Cranko’s Onegin

Mark Pullinger, 3rd June

Natalia Osipova, a seasoned Tatiana, is joined by Lukas B Brændsrød, making his debut as Onegin in the summer return of John Cranko's take on Pushkin's classic verse novel.

*****

The Royal Ballet in Onegin: supreme performances across the board

Graham Watts, 22nd January

The welcome revival of a borrowed jewel in The Royal Ballet's treasure chest of story ballets.

*****

Onegin is the Bridgerton of ballet

Ivy Lin, 20th June

Two very promising debuts in the lead roles and good performances in the supporting roles, made this an enjoyable Onegin.

****1

Farewells and bold debuts in National Ballet of Canada's Onegin

Gianmarco Segato, 24th November

National Ballet of Canada's connections to John Cranko's Onegin run deep and this revival featured beloved company farewells and exciting next generation debuts.

****1

Plus de critiques...

Terez Rose

Terez Rose is a writer and former dancer whose work has appeared in numerous journals, anthologies and online publications. She is the author (as Terez Mertes Rose) of the Ballet Theatre Chronicles (Off Balance, Outside the Limelight, Ballet Orphans, Other Stages) and A Dancer’s Guide to Africa. Visit her at The Classical Girl where she blogs about classical music and the performing arts.

San Francisco Ballet concludes season with Cranko’s masterful Onegin