The San Francisco Symphony: An innovative programme but with few surprises

Par Alan Yu, 12 janvier 2012

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Critique faite à Davies Symphony Hall, San Francisco, le 8 janvier 2012

Liszt, Prometheus, S 99

Ligeti, Concerto pour violon et orchestre

Tchaïkovski, Symphonie no. 1 en sol mineur «Rêves d'hiver», Op.13

San Francisco Symphony

Michael Tilson Thomas, Direction

Christian Tetzlaff, Violon

Le San Francisco Symphony offre à Paris un Mahler poétique

Constance Clara Guibert, 18th March

Poétique plus que métaphysique, le Mahler de Michael Tilson Thomas et du San Francisco Symphony a largement convaincu le public de la salle Pleyel ; l'excellence de l'orchestre et la beauté des voix ont compensé sans peine l'apparente sobriété de l'interprétation pour transporter les auditeurs.

****1

Full symphonic grandeur from Salonen and the SF Symphony

Lois Silverstein, 6th October

Sayaka Shoji and Salonen remain in close dialogue in a riveting performance of Shostakovich's First Violin Concerto.

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Finnish footprints in San Francisco: Salonen conducts Sibelius

Lois Silverstein, 14th March

As the news breaks that Esa-Pekka Salonen will be leaving at the end of his San Francisco Symphony tenure, he conducts the music of his fellow Finn, Jean Sibelius.

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Hail and farewell: MTT’s last Mahler in San Francisco

Cameron Kelsall, 25th January

After 50 years of performances with the San Francisco Symphony, including a quarter-century tenure as Music Director, Michael Tilson Thomas chooses Mahler’s Fifth Symphony for his final subscription concert.

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Bach-inspired Mendelssohn in San Francisco

Edward Sava-Segal, 17th February

An exquisite rendition of Mendelssohn's Lobgesang makes one wonder why the work is not part of the regular repertoire.

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MTT offers familiar and unfamiliar Stravinsky in San Francisco

Edward Sava-Segal, 29th September

In a program including both modernist and neoclassical works, Michael Tilson Thomas and the SFO emphasized the common traits characterizing Stravinsky's entire ouevre.

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Alan Yu

The first concert Alan attended was Mahler’s Das Lied von der Erde. For 7 years he presented classical music programmes for Radio Television Hong Kong, partly to pay his way through university. He attends concerts whenever he can and believes there is no substitute for the thrill of live performances. He writes here.