Kansas City Symphony in Copland, Milhaud and Ravel

Par Hilary Stroh, 13 avril 2019

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“These 1920s could have done with more of a roar”

Critique faite à Kauffman Center for the Performing Arts, Kansas City, le 12 avril 2019

Milhaud, Le Bœuf sur le toit (The Ox on the Roof), Op.58

Lalo, Concerto pour violoncelle en ré mineur

Copland, Appalachian Spring, pour ensemble de musique de chambre

Ravel, La Valse

Jean-Guihen Queyras, Violoncelle

Kansas City Symphony

Michael Stern, Direction

Porgy and Bess: Catfish Row arrives in Kansas City

Hilary Stroh, 28th February

Francesca Zambello's magnificent production of the Gershwins’ American epic comes to the Lyric Opera of Kansas City.

****1

Kansas City Ballet in Swan Lake: good girl vs bad girl

Hilary Stroh, 17th October

Swan Lake opens the season for Kansas City Ballet in a splendid looking production and with very pleasing interpretations.

****1

Rockabilly meets Rossini: Cinderella at Lyric Opera of Kansas City

Hilary Stroh, 3rd October

Michael Shell's sparkling new production of La Cenerentola, built locally, opens the season at the Lyric Opera Kansas City.

****1

A big and bold Turandot in Kansas City

Hilary Stroh, 2nd May

Lyric Opera of Kansas City ends its season with Garnett Bruce's blockbuster production of Puccini's Turandot.

****1

Kansas City Ballet's Don Quixote walks the wild side powerfully

Hilary Stroh, 22nd March

Kansas City Ballet's first love affair with Don Quixote is a striking and well-danced success.

*****

Kansas City Ballet’s ALICE: a riot of creative dysfunction

Hilary Stroh, 11th October

Webre’s screwball ALICE (in Wonderland) for the Kansas City Ballet is colorful and packed with excellent performances.

*****

Plus de critiques...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.

Waltzing into Spring: Kansas City Symphony in Copland, Milhaud and Ravel