Fairy-tale flights of fantasy illuminate the CBSO's Sheffield return

Eduardo Strausser and the City of Birmingham Symphony Orchestra

Jess Gillam and the City of Birmingham Symphony Orchestra

Eduardo Strausser conducts the City of Birmingham Symphony Orchestra

Par Phil Parker, 04 février 2024

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“Elspeth Dutch’s exquisite playing of the principal horn part ushered in the jubilant Finale”

Critique faite à Sheffield City Hall: Oval Hall, Sheffield, le 2 février 2024

Rossini, La Cenerentola (Cinderella): Overture

Villa-Lobos, Fantasia for soprano saxophone and chamber orchestra

Rimski-Korsakov, Le Coq d'or (suite pour orchestre)

Williams, Film music from Catch me if you Can: Escapades

Stravinsky, L'Oiseau de feu: Suite

City of Birmingham Symphony Orchestra

Eduardo Strausser, Direction

Jess Gillam, Saxophone

Les orages printaniers de Vilde Frang et Mirga Gražinytė-Tyla à Bozar

Valentin Gautron Lavarone, 22nd March

Mirga Gražinytė-Tyla et les musiciens du City of Birmingham Symphony Orchestra ont manqué de trébucher dans Schumann mais ont porté Elgar au sommet avec Vilde Frang.

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Au-delà des horizons : le CBSO, Mirga Gražinytė-Tyla et Yuja Wang

Sylvain Gaulhiac, 22nd May

Le City of Birmingham Symphony Orchestra débarque au Théâtre des Champs-Élysées sous la baguette de sa directrice musicale. Un programme bien ficelé autour de Ravel, Brahms et Prokofiev avec la pianiste Yuja Wang.

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Klaus Florian Vogt au TCE avec Andris Nelsons et le CBSO : le père, le fils... et l'esprit wagnérien

Denis Peyrat, 1st June

Klaus Florian Vogt, l'un des grands ténors wagnériens actuels a interprété avec brio au Théâtre des Champs Elysées Parsifal et surtout Lohengrin. Il était magnifiquement soutenu par Andris Nelsons avec le City of Birmingham Symphony Orchestra, qui ont aussi illuminé Dvorak.

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Carlo Rizzi brings Respighi’s Rome to Birmingham

Robert Gainer, 15th April

Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?

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Nelson Goerner shines with the CBSO and Rachmaninov’s Rhapsody

Robert Gainer, 9th April

The CBSO present the work of three European émigré composers of the 1930s and 40s, who reimagined their musical influences with contrasting approaches and results.

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Yamada and the CBSO’s Walton expedition at the Elbphilharmonie

Mengguang Huang, 10th March

In Hamburg, Kazuki Yamada and the CBSO navigate the thorny brilliance of Walton’s First Symphony, proving that ‘difficult’ music can offer an evening’s most profound human connection.

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Phil Parker

Phil is a retired A-level English teacher who is now able to devote his life to things he really wants to do with his time. These include, but are not limited to: writing short fiction (his first collection, Girl with Fan, was published in late 2023), singing, creating programme notes for his choir’s concerts, volunteering, cooking, reading, and attending all home games at his beloved Manchester City. Alongside these is listening to classical music (live, on disc and on the radio), a lifetime’s love of which was sparked at the age of 11 when he discovered Haydn.

Fairy-tale flights of fantasy illuminate the CBSO's return to Sheffield