The stars shine brightly in Northern Ireland Opera’s Tosca

Svetlana Kasyan (Tosca)

Te Deum, Act 1

Brendan Collins (Scarpia) and Svetlana Kasyan (Tosca)

Peter Auty (Cavaradossi) and Niall Anderson (Sacristan)

Par Leighton Jones, 17 septembre 2023

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Critique faite à Belfast Grand Opera House, Belfast, le 16 septembre 2023

Puccini, Tosca

Northern Ireland Opera

Eduardo Strausser, Direction

Cameron Menzies, Mise en scène

Niall McKeever, Décors

Gillian Lennox, Costumes

Ciaran Bagnall, Lumières

Ulster Orchestra

Belfast Philharmonic Choir

Svetlana Kasyan, Floria Tosca

Peter Auty, Mario Cavaradossi

Brendan Collins, Baron Scarpia

Matthew Durkan, Cesare Angelotti

Niall Anderson, Le Sacristain

Aaron O'Hare, Spoletta

Connor Campbell, Sciarrone

Paul McQuillan, Un geôlier

NIO delivers an emotionally engaging Eugene Onegin in Belfast

Andrew Larkin, 14th September

Director Cameron Menzies offers a fresh perspective on Tchaikovsky's masterpiece Eugene Onegin in this Northern Ireland Opera production.

***11

Brilliant leads make for a moving Traviata at Northern Ireland Opera

Andrew Larkin, 10th September

Cameron Menzies sets Verdi's timeless opera in a timeless world, with a mixture of styles indicating that all is not as it seems.

****1

Northern Ireland Opera’s Fledermaus flies high and low

Leighton Jones, 15th September

Stripping away all the decadence of late-19th century Vienna, Walter Sutcliffe gives Johann Strauss’ operetta an overhaul.

***11

A gripping, dark, moving Rigoletto from NIO

Leighton Jones, 30th September

Since their creation in 2010, NIO has brought unconventional opera productions to Northern Ireland. Their Rigoletto is bold, emotional and engaging with a stellar cast of local and international talent.

****1

Hedonism and downfall: Don Giovanni in Belfast

Judith Wiemers, 18th November

Oliver Mears' impressively-cast farewell production in Belfast combines gripping drama and exuberant fun in a symbol-packed reading of Don Giovanni.

****1

Calixto Bieito's Turandot in Belfast

Philip Hammond, 30th October

Can classic opera reflect the political status of the society in which it is performed? Calixto Bieito's production of Turandot for Northern Ireland Opera raises some uncomfortable questions.

***11

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Leighton Jones

Leighton has extensive teaching experience from early years to postgraduate level music. Currently he works as a primary music specialist, visiting instrumental teacher and examiner. As a pianist, he was inspired to play after hearing Moura Lympany at a young age and has a large collection of her recordings. Leighton’s postgraduate studies focussed on his interest in 20th-century English orchestral music, with particular study of Britten, Rawsthorne, Walton and Vaughan Williams. A keen choral singer he has developed a comprehensive knowledge of chiefly British choral music.