A couple of Cavaradossis, plus a divine diva: Tosca at the ROH

Par Roy Westbrook, 09 décembre 2021

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“Stikhina... encompassed the jealousy, piety, tenderness, credulity and murderous passion of the diva”

Critique faite à Royal Opera House, Covent Garden, Londres, le 8 décembre 2021

Puccini, Tosca

The Royal Opera

Oksana Lyniv, Direction

Jonathan Kent, Mise en scène

Paul Brown, Décors, Costumes

Mark Henderson, Lumières

Orchestra of the Royal Opera House Covent Garden

Royal Opera Chorus

Elena Stikhina, Floria Tosca

Bryan Hymel, Mario Cavaradossi

Freddie De Tommaso, Mario Cavaradossi

Alexey Markov, Baron Scarpia

Yuriy Yurchuk, Cesare Angelotti

Hubert Francis, Spoletta

Jihoon Kim, Sciarrone

Jeremy White, Le Sacristain

The Turn of the Screw at RBO Linbury: Darkness and denial

Eleanor Knight, 26th March

Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.

*****

A riveting Rigoletto revival at the Royal Opera House

Dominic Lowe, 25th March

Sir Mark Elder celebrates 50 years at Covent Garden by returning to his first opera there in 1976 – Verdi's Rigoletto – in a revival of Oliver Mears' excellent 2021 production.

****1

Siegfried at the RBO: Kosky and Pappano surprise and delight

David Karlin, 17th March

A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.

*****

Terfel’s craggy Boris Godunov returns to Covent Garden

Mark Pullinger, 29th January

The second revival of Richard Jones' staging of Mussorgsky's original 1869 version of Boris Godunov once again stars the Welsh knight.

****1

Ermonela Jaho returns in triumph to The Royal Opera’s Traviata

Mark Valencia, 8th January

Richard Eyre’s 32-year-old production is rarely out of The Royal Opera’s repertoire for more than a few months at a time, but this particular revival proves very special.

*****

Turandot drowned in an orchestral tsunami at The Royal Opera

David Karlin, 15th December

Andrei Șerban’s 40 year old take on Puccini's tale of the ice princess largely stands the test of time, but Netrebko and Eyvazov are short of their best form.

***11

Plus de critiques...

Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.

A couple of Cavaradossis, plus a divine diva: Tosca at the Royal Opera House