McGegan leads TCO in a joyful concert with a nod toward Christmas

Par Timothy Robson, 11 décembre 2020

Chargement en cours, veuillez patienter...

“lean, precisely tuned sound, with vibrato used as ornamentation”

Critique faite à Severance Music Center: Mandel Concert Hall, Cleveland, le 10 décembre 2020

Haendel, Messiah, HWV 56: Overture

Haendel, Le Messie, HWV 56: Symphonie pastorale

Corelli, Concerto grosso en sol mineur « per la notte di natale » (pour la nuit de Noël), Op. 6 no. 8

Bach, Concerto brandebourgeois no. 3 en sol majeur, BWV1048

Mendelssohn, Symphonie pour cordes no. 7 en ré mineur

The Cleveland Orchestra

Nicholas McGegan, Direction

Cleveland et Franz Welser-Möst en hérauts des temps passés

Julien Hanck, 16th October

Ces dernières années, on a surtout entendu Mahler sculpté par des baguettes démiurges : celles de Rattle, de Nézet-Séguin ou de Harding. Toutes ces lectures paraîtraient outrancières face à celle que proposait Franz Welser-Möst et l'Orchestre de Cleveland à la Philharmonie.

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Brahms à la Salle Pleyel

Luca Dupont-Spirio, 20th September

Arrivés à Paris pour l'avant-dernière étape de leur tournée européenne, Franz Welser-Möst et l'Orchestre de Cleveland ont interprété Brahms avec une précision aussi intimidante que remarquable.

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Barbara Hannigan surveys American voices with The Cleveland Orchestra

Sam Jacobson, 14th February

Works by Crumb, Ruggles, Barber and Gershwin offer four distinct ideas of what American music can sound like in Barbara Hannigan’s explorative Cleveland Orchestra program.

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The Cleveland Orchestra at Carnegie Hall: symphonic extremes

Sam Jacobson, 21st January

Following a polished account of Mozart’s Jupiter Symphony, Shostakovich’s Eleventh erupted with visceral force, as Franz Welser-Möst led The Cleveland Orchestra in a performance of gripping intensity.

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A study in control and proportion: the Clevelanders’ Verdi Requiem

Edward Sava-Segal, 20th January

Asmik Grigorian leads a strong quartet of soloists and the Cleveland Orchestra Chorus shape the performance at Carnegie Hall.

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An uneven symphonic pairing from Franz Welser-Möst in Cleveland

Frank Kuznik, 10th January

Mozart and Shostakovich make an uncomfortable fit in a program designed to highlight their differences.

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Plus de critiques...

Timothy Robson

We are saddened to learn of the death of Tim Robson, a long-time Bachtrack contributor (2012-21). Tim was an organist in Cleveland, Ohio and his repertoire extended to all musical periods, with a special interest in contemporary music. As a blogger he was a regular contributor to ClevelandClassical.com. In his parallel career as a librarian, Tim was Associate Director for Academic Engagement at the Kelvin Smith Library of Case Western Reserve University. Our condolences to his family.

Nicholas McGegan leads The Cleveland Orchestra in a joyful concert with a nod toward Christmas