Powerful beginning to Bridgewater Hall's Vaughan Williams 150 cycle

Par Peter Connors, 27 février 2022

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“Wigglesworth proved to be an inspired communicator”

Critique faite à The Bridgewater Hall, Manchester, le 26 février 2022

Vaughan Williams, Symphony no. 3, "Pastoral"

Vaughan Williams, On Wenlock Edge

Vaughan Williams, Symphonie no. 5 en ré majeur

Alessandro Fisher, Ténor

BBC Philharmonic Orchestra

Mark Wigglesworth, Direction

Prom 5 : Haydn, HK Gruber, Stravinsky

Julie Jozwiak, 20th July

Lundi 20 juillet se tenait au Royal Albert Hall le “Prom 5”. Au programme : une symphonie de Haydn, une création de HK Gruber et le ballet Petrouchka de Stravinsky, joués par le BBC Philharmonic et le percussionniste Colin Currie placés sous la baguette de John Storgårds. Une soirée agréable, mais pas incroyable.

***11

BBC Philharmonic’s bold but unbalanced Stravinsky and Adams

Leighton Jones, 1st May

Balance issues mar an otherwise compelling programme from John Storgårds and the BBC Philharmonic Orchestra.

***11

Wagner and Strauss from Sarah Wegener and the BBC Philharmonic

Leighton Jones, 14th March

Celtic legends and dramatic landscapes fill Manchester’s Bridgewater Hall in an evening of emotional and reflective music under conductor Nicholas Carter.

****1

Watery worlds, rhythmic fire from Brauß and Hickox with the BBC

Leighton Jones, 7th February

Elisabeth Brauß excels in Ravel with the BBC Philharmonic and brings and unexpected encore.

****1

BBC Phil's Bluebeard's Castle eclipsed by Boulanger and Kodály

Peter Connors, 24th January

Anja Bihlmaier conducts the BBC Philharmonic in a moving D'un soir triste and joyful Dances of Galánta. Bluebeard's Castle, despite some fine things. feels less satisfying.

****1

Questions, answers and city nights: Storgårds and the BBC Philharmonic

Leighton Jones, 17th January

In three hugely different musical voices, John Storgårds with the BBC Philharmonic Orchestra move from the intimacy of Ives to the exhilaration of Adams, taking in Beethoven on their way.

****1

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Peter Connors

Peter has been attending concerts and operas enthusiastically since his parents took him to see The Mikado in Liverpool when he was a boy of ten and to a “family concert” given by the RLPO a year or so later. Peter studied Modern Languages at Worcester College, Oxford and Law in Manchester. After spending twenty years as a pensions lawyer in Manchester, he retrained as a teacher of English as a foreign language, which took him to Germany and to Serbia. With the onset of the pandemic he returned to the UK and now works online and frequents concert halls and theatres in the North West of England.

Powerful beginning to the Bridgewater Hall's Vaughan Williams 150 cycle