L'humeur pianistique d'Alain Lompech : les Variations Goldberg

By Alain Lompech, 14 October 2020

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“Avec Glenn Gould en 1956, le statut des Variations changera”

Bachtrack, 1st April

Renowned harpsichordist Jean Rondeau presents a new view of Bach’s Goldberg Variations at this year’s Bachfest Schaffhausen, including in arrangement for Baroque ensemble, and as a new composition for piano, percussion and electronics inspired by the cycle.

Bachtrack top ten: Frédéric Chopin

Mark Pullinger, 1st March

Ten works revealing the paradox of Chopin: a composer outwardly delicate, inwardly steely; rooted in Polish dance rhythms, yet formed in Parisian sophistication.

A riot of concertos: Hastings International Piano Competition

Jessica Duchen, 4th February

Vanessa Latarche, professor of Piano at the Royal College of Music and chair of Hastings’ jury, talks about what makes the competition special, working with Sir Stephen Hough, and being a stickler for fairness.

Dinosaurs of the Baroque: discovering Les Dinos et l’Arche

Lawrence Dunn, 2nd January

Thomas Leininger’s Baroque-inspired children’s opera at Geneva’s La Cité Bleue is a unique stylistic departure, which asks the essential question: what happened to the dinosaurs left off Noah’s Ark?

Eric Lu wins the 19th Chopin Competition

Bachtrack, 21st October

A 17-person international jury has selected Eric Lu as the first prize winner of the illustrious competition after 15 days of competition.

Celebrated Neapolitan pianist Maria Tipo dies at 93

Bachtrack, 11th February

Widely admired for her recordings of Scarlatti and Clementi, Maria Tipo was a prolific concert artist and influential teacher at conservatories in Florence, Geneva and Bolzano.

Alain Lompech

Pendant trente ans, Alain Lompech, né en 1954, a été critique musical et journaliste au Monde de la musique puis au Monde, dont il a été chef des pages « Art et Spectacles » puis chef d'édition, tout en tenant la chronique « Jardins » du quotidien. Il a produit de nombreuses émissions sur France Musique, station dont il a été le directeur adjoint et chef des programmes, et où il est l'un des membres réguliers de « La Tribune des critiques de disques ». Il publie chaque mois des critiques de disques dans le mensuel Diapason. Alain Lompech a publié le premier volume des Grands pianistes du XXe siècle, chez Buchet-Chastel, et travaille à la rédaction du deuxième volume.