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PragueLe nozze di Figaro

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Mozart: Le nozze di Figaro (The Marriage of Figaro)
Marek Šedivý; Barbora Horáková; Prague National Theatre Opera; Zdeněk Klauda; Falko Herold; Nicole von Graevenitz; Ivo Dankovič

StockholmMadama ButterflyNew production

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Puccini: Madama Butterfly
Daniel Carter; Sofia Adrian Jupither; Royal Swedish Opera; Erlend Birkeland; Maria Geber; Ellen Ruge; Royal Swedish Orchestra

BudapestFidelioNew production

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Beethoven: Fidelio
Péter Halász; Tobias Kratzer; Hungarian State Opera; Rainer Sellmaier; Michael Bauer; Hungarian State Opera Orchestra

KasselZornfriedWorld premiere

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Krebs: Zornfried
Viktor Jugović; Kerstin Steeb; Staatstheater Kassel; Hanna Lenze-Lauch; Orchester des Staatstheaters Kassel; Unknown; Felix Linsmeier

TartuAlmost Air / Rite of Spring

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Bartók, Stravinsky
Jevgeni Grib; Edward Clug; Vanemuine Ballet; Risto Joost; Aleksandr Bražnik; Tanel Veenre

GenevaMadama ButterflyNew production

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Puccini: Madama Butterfly
Antonino Fogliani; Barbora Horáková; Grand Théâtre de Genève; Wolfgang Menardi; Eva Maria van Acker; Sascha Zauner; Orchestre de la Suisse Romande

LondonInferno

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Liszt, Brice
BBC Concert Orchestra; Jérôme Kuhn; Mat Collishaw; Oxford Choir of Merton College
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Handel’s Il trionfo del tempo e del disinganno returns to Rome

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Robert Carsen’s staging of Handel's oratorio arrives, via Salzburg, in the city where Handel composed it in 1707. 
****1
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Petrenko and Serebrennikov forge a new Ring in Salzburg

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The Berliner Philharmoniker’s much-anticipated return to Salzburg gets off to an impressive musical start. Kirill Serebrennikov’s staging raises numerous questions, but answers few of them. 
****1
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Eyes wide shut for Berlin’s new Ballo

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At the Staatsoper Unter den Linden, Rafael R Villalobos addresses the problems he perceives with Verdi’s Un ballo in maschera, although the musical performances – led by Anna Netrebko – compensate.
***11
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A Baroque Netflix evening: Zurich’s star-studded Giulio Cesare

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Davide Livermore’s high-octane production transforms Handel into a lavish blockbuster. While the superstars shine, the relentless entertainment-first approach often sacrifices musical refinement and dramatic logic for Netflix-style spectacle.

***11
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Castor et Pollux in Geneva: among the stars, with shadows

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Rameau’s Castor et Pollux returns to the stage in a new production that brings together Baroque repertoire and contemporary theatrical aesthetics, conducted by Leonardo García Alarcón and performed by Cappella Mediterranea with an international cast.

***11
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The Turn of the Screw at RBO Linbury: Darkness and denial

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Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.
*****
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Irish National Opera’s new Rusalka intrigues more than it convinces

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Netia Jones’ modern reimagining intrigues more than it convinces, but still makes a strong case for Dvořák’s dark fairy tale. 
***11
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