Eugen Onegin oder: Gepflegte Langeweile an der Wiener Staatsoper

By Isabella Steppan, 01 November 2020

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“Andrè Schuen bringt einen vokal ganz ausgezeichneten Onegin auf die Bühne”

Reviewed at Wiener Staatsoper, Vienna on 31 October 2020

Tchaikovsky, Eugene Onegin

Vienna State Opera

Tomáš Hanus, Conductor

Dmitri Tcherniakov, Director, Set Designer

Maria Danilova, Costume Designer

Gleb Filshtinsky, Lighting Designer

Andrè Schuen, Eugene Onegin

Nicole Car, Tatyana

Anna Goryachova, Olga

Bogdan Volkov, Lensky

Dimitry Ivashchenko, Prince Gremin

Larissa Diadkova, Filippyevna

Helene Schneiderman, Madame Larina

Dan Paul Dumitrescu, Zaretsky

Slovak Philharmonic Choir

Orchestra of the Vienna State Opera

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Orsolya Gyárfás, 19th April

Marco Armiliato's conducting thrills and Federica Lombardi's radiant Amelia stands out in the Wiener Staatsoper's latest revival of Simon Boccanegra.

***11

Anna Netrebko shines in Vienna’s timeless Tosca

Laura Servidei, 18th April

In a world where opera productions often stray into the abstract, the Wiener Staatsoper’s Tosca offers a refreshing return to tradition – and Anna Netrebko delivers a splendid performance.

****1

Tragedy in the mirror: Minghella’s Madama Butterfly in Vienna

Laura Servidei, 14th March

Ermonela Jaho returns to one of her signature roles as Cio-Cio-San, delivering a searing and deeply nuanced portrayal.

****1

Too much and too little: Jan Lauwers’ restless Clemenza in Vienna

Chanda VanderHart, 12th March

The creative team behind the new Staatsoper Clemenza is unwilling to trust that Mozart’s opera is interesting enough to stand on its own.

***11

An Idomeneo shattered to pieces at the Wiener Staatsoper

Orsolya Gyárfás, 23rd January

A committed cast struggles to lend a spark of life to Kasper Holten's static staging of Mozart's first mature opera.

**111

A holiday Bohème: Puccini, Zeffirelli and tradition in Vienna

Laura Servidei, 21st December

Giacomo Sagripanti conducts a luxuriant reading with a cast anchored by Juan Diego Flórez and Nicole Car, in Zeffirelli’s familiar, generous, unabashedly emotional production.

***11

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Isabella Steppan

Isabella lebt in Graz und unterrichtet Deutsch und Philosophie/Psychologie. Ihre Freizeit verbringt sie am liebsten in der Oper, in klassischen Konzerten oder im Theater. Ihr Herz schlägt besonders für die Oper des 19. und frühen 20. Jahrhunderts und die Operette. Als @operafangirl ist sie auf Twitter aktiv.