Skandalös gut! Currentzis bei den Pfingstfestspielen Baden-Baden

Kirill Gerstein

By Sarah Donata Schneider, 26 May 2024

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“faszinierend und erschütternd zugleich”

Reviewed at Festspielhaus, Baden-Baden on 25 May 2024

Shostakovich, Piano Concerto no. 2 in F major, Op.102

Stravinsky, Le Sacre du printemps (The Rite of Spring)

Kirill Gerstein, Piano

SWR Symphony Orchestra

Teodor Currentzis, Conductor

In tempore belli: Britten's War Requiem at the Elbphilharmonie

Alexander Hall, 16th June

As Teodor Currentzis' time in charge of the SWR Symphony Orchestra draws to a close, he bids farewell in a series of nationwide performances of Britten's memorial to the pity of war.

****1

A kaleidoscope of kinetic colour from Currentzis, Avdeeva and the SWR

Alexander Hall, 15th September

Teodor Currentzis, conducting the SWR Symphony Orchestra, and Yulianna Avdeeva do Prokofiev proud in his Third Piano Concerto and Fifth Symphony: all the colours of the rainbow delivered with sophistication, élan and boundless effervescence.

*****

Alina Ibragimova and Nils Mönkemeyer in love with Mozart

Laurence Vittes, 8th May

The soloists turn out to be the perfect couple, while the camerawork covers the action like it was a soccer match.

*****

Spookiness in Stuttgart with Eschenbach and Kopatchinskaja

Alexander Hall, 26th February

The darker sides of Romantic inventiveness are explored in Schumann’s neglected violin concerto and the clandestine woodland rustle of Dvořák’s G major symphony.

****1

Teodor Currentzis and the SWR Symphony triumph in Mahler 9

Alexander Hall, 17th December

Say what you like, Teodor Currentzis understands the music of Mahler, especially in that composer's final symphonic statement, to the manner born.

*****

A study in suffering: Currentzis at the Elbphilharmonie

Alexander Hall, 19th December

Teodor Currentzis, on tour with the SWR Symphony Orchestra, pairs two Russian masterpieces written a century apart: Tchaikovsky's Fifth Symphony and Schnittke's Viola Concerto with Antoine Tamestit.

****1

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Sarah Donata Schneider

Die Liebe zur Oper entdeckte Sarah durch Ursel und Karl-Ernst Herrmanns Pariser Inszenierung von La clemenza di Tito. Seit Abschluss ihres Magisterstudiums mit einer interdisziplinären Arbeit über Richard Wagner promoviert sie am Mainzer Institut für Theaterwissenschaft über deren Mozartinszenierungen. Neben Wagner und Strauss gilt ihre Leidenschaft besonders dem Verismo. Musik ist für sie „Teil des schwingenden Weltalls“ (Busoni).

Skandalös gut! Teodor Currentzis bei den Pfingstfestspielen Baden-Baden