Berliner Philharmoniker in München auf den Spuren von Haydns Erbe

Gautier Capuçon

Kirill Petrenko dirigiert die Berliner Philharmoniker

By Michael Vieth, 05 May 2026

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Reviewed at Isarphilharmonie, Munich on 3 May 2026

Stravinsky, Pulcinella: Suite

Tchaikovsky, Variations on a Rococo Theme in A major, for cello and orchestra, Op.33

Beethoven, Symphony no. 2 in D major, Op.36

Berliner Philharmoniker

Kirill Petrenko, Conductor

Gautier Capuçon, Cello

Petrenko and Serebrennikov forge a new Ring in Salzburg

Phillip Richter, 1st April

The Berliner Philharmoniker’s much-anticipated return to Salzburg gets off to an impressive musical start. Kirill Serebrennikov’s staging raises numerous questions, but answers few of them.

****1

Kirill Petrenko and the Berliner Philharmoniker in Seoul

SangKwon Lee, 9th November

On their Asian tour, the Berliner Philharmoniker reaffirms its renown in a concert of Schumann and Brahms at the Seoul Arts Center.

*****

Pitch perfect: Petrenko conducts Dusapin, Zimmermann and Brahms

Elena Luporini, 17th September

At this year's Musikfest Berlin, Kirill Petrenko conducts his Berliner Philharmoniker in a devilishly intricate programme.

****1

A place to call our own: Marin Alsop in Berlin

Elena Luporini, 22nd February

For her debut at the head of the Berliner Philharmoniker, Marin Alsop reflects on what a ‘home’ is through works by Tarkiainen, Dean, Copland and Villa-Lobos.

****1

Robertson conducts the German premiere of Srnka's Superorganisms

Elena Luporini, 13th February

At the Philharmonie, David Robertson steps in for Kirill Petrenko for a concert all about the wonders of nature, featuring Varèse, Srnka and Beethoven.

****1

Berlin Phil à la hongroise with Seong-Jin Cho

Elena Luporini, 9th December

The Berlin Phil celebrates Seong-Jin Cho's recently inaugurated residency with a Hungarian-themed chamber concert.

****1

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Michael Vieth

Michael Vieth ist Physiker und hat viele Jahre in der Zentralen Forschung der Siemens AG in Erlangen und München an magnetischen Speichern und Sensoren gearbeitet. Auch von klassischer Musik magnetisiert, singt er seit seinem Studium in Göttingen in großen Kantoreien und Chorprojekten; eine besondere Vorliebe hat sich zu Motetten der Renaissance und der Moderne entwickelt. Daneben faszinieren ihn Auftritte und Programme kleiner Vokal-Ensembles.