A rollicking good story woven into music by a composer without peers, the ultimate operatic expression of the High Romantic aesthetic, and an opera that actually feels short at five hours.
Tobias Kratzers Rheingold bildet den krönenden Abschluss der Münchener Opernfestspiele – eine Inszenierung, die jetzt schon als Meilenstein gelten kann.
*****
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