A rollicking good story woven into music by a composer without peers, the ultimate operatic expression of the High Romantic aesthetic, and an opera that actually feels short at five hours.
Dans la lignée d'un Or du Rhin qui avait suscité critiques et incompréhensions, le deuxième volet de la Tétralogie déçoit grandement, malgré un excellent Stanislas de Barbeyrac dans le rôle de Siegmund.
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