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Performer: Didier Pieri

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GlyndebourneToscaNew production

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Puccini: Tosca
Jordan de Souza; Ted Huffman; Glyndebourne Festival Opera; Nadja Sofie Eller; Astrid Klein; DM Wood; London Philharmonic Orchestra

FlorenceLes Contes d'Hoffmann (The Tales of Hoffmann)New production

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Offenbach: Les Contes d'Hoffmann (The Tales of Hoffmann)
Kent Nagano; Laurent Pelly; Maggio Musicale Fiorentino; Chantal Thomas; Joël Adam; Orchestra del Maggio Musicale Fiorentino

MilanDon QuichotteNew production

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Massenet: Don Quichotte
Bertrand de Billy; Damiano Michieletto; Teatro alla Scala; Paolo Fantin; Agostino Cavalca; Alessandro Carletti; Orchestra del Teatro alla Scala
Latest reviewsSee more...

Glyndebourne’s first Tosca: vocally strong but imperfect

Caitlin Gotimer (Tosca) and Matteo Lippi (Cavaradossi) © Glyndebourne Productions Ltd | Richard Hubert Smith
Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.
***11
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Puccini and Bartók nightmares at the Teatro dell’Opera in Rome

Il tabarro © Opera di Roma | Fabrizio Sansoni
Michele Mariotti and Johannes Erath lead us into the caverns of Il tabarro and Bluebeard’s Castle with two stories of violence against women 
****1
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Il trovatore proves a masterpiece even without staging

In a reduced concert performance of Il trovatore the drama unfolds with the force of music alone.
***11
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Falstaff als abgehalfterter Popstar an der Semperoper in Dresden

Marie-Nicole Lemieux (Mrs. Quickly) und Nicola Alaimo (Sir John Falstaff) © Semperoper Dresden | Jochen Quast
Musikalisch war Daniele Gattis Falstaff eine Offenbarung und ein grandioser Einstieg als Chef an der Semperoper. Auch das Sängerensemble nötigte Bewunderung ab. Michielettos Personenführung diente der Komödie gut, blieb aber im szenischen Setting einigermaßen belanglos.
****1
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La vida como arte: Adriana Lecouvreur de Summers y McVicar

© Sergi Panizo | Gran Teatre del Liceu

La elegancia orquestal de Summers y el metateatro conceptual de McVicar perfilaron un retrato biográfico con una protagonista destruida por las pulsiones humanas.

****1
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