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Performer: Emőke Baráth

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Steffani: Orlando Generoso
Paul O'Dette; Stephen Stubbs; Gilbert Blin; Anna Watkins; Aaron Sheehan

BostonDreams and Monsters: The theatrical orchestra of Rameau

Dreams and Monsters: The theatrical orchestra of Rameau
Boston Early Music Festival Orchestra; Boston Early Music Festival Dance Company; Emőke Baráth; Teresa Wakim

MunichCastor et PolluxNew production

Castor et Pollux
Rameau: Castor et Pollux
Ivor Bolton; Hans Neuenfels; Bavarian State Opera; Philipp Fürhofer; Reinhard von der Thannen; Emőke Baráth; Alix Le Saux


Monteverdi: L'Orfeo (Orpheus), SV318
Emiliano Gonzalez Toro; Emőke Baráth; Eva Zaïcik; Jérôme Vernier

ViennaRodrigo (konzertant)

Handel: Rodrigo
Thibault Noally; Theater an der Wien; Vivica Genaux; Emőke Baráth; Julia Lezhneva; Emiliano Gonzalez Toro
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A minimalist reading of Orfeo ed Euridice in Rome

Carlo Vistoli (Orfeo) and Mariangela Sicilia (Euridice) © Fabrizio Sansoni
Robert Carsen's minimalist modern reading of Gluck's masterpiece is a pure distillation of opera (and life) and the Teatro dell'Opera di Roma.
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Handelian dream team: Jaroussky and Baráth delight in Budapest

Philippe Jaroussky and Emőke Baráth © Attila Nagy, Müpa Budapest
Philippe Jaroussky and Emőke Baráth's team-up with the Ensemble Artaserse proved nothing short of wonderful.
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Giulio Cesare in concert: Lawrence Zazzo and Emőke Baráth came, saw and conquered Vienna

Emőke Baráth © Zsofi Raffay
An outstanding cast under Ottavio Dantone at the Theater an der Wien was headed by Lawrence Zazzo and Emőke Baráth.
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Vick finds modern relevance in Cavalli's Hipermestra

Emőke Baráth (Hipermestra) © Tristram Kenton
The advantage of staging a rare opera such as Cavalli's Hipermestra at Glyndebourne this year is that the director can work with a blank canvas without audience’s preconceptions.
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17th-century L'Orontea in Budapest goes millennial

Gyula Rab (Alidoro) and Judit Anna Kiss (Aristea) © Gabor Kotschy
Opera director András Almási-Toth’s whimsical updating of an early Baroque opera by Antonio Cesti switches the composer’s L'Orontea from 1656 to 2016.
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