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AmsterdamStabat Mater and Nisi Dominus: Alexander Chance and Emöke Baráth
Pergolesi, Vivaldi
Il Gardellino; Korneel Bernolet; Emőke Baráth; Alexander Chance
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Boston Early Music Festival strikes again with a knockout Octavia
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Once again, the BEMF brings a Baroque opera back to life. Reinhard Keiser’s 1705 Octavia is exceptionally well sung, adroitly staged, designed and danced, with impeccable musicianship.
A triumph of time over disillusion at the Handel Festival, Göttingen
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Handel's 1707 allegorical Italian oratorio is brought to stunning life by a brilliant quartet of singers and the impeccable FestspielOrchester Göttigen under festival director George Petrou.
Hungarian State Opera goes full The Last of Us with new Idomeneo
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Hungarian State Opera presents Idomeneo for the first time in almost 50 years in a musically superb, but controversial pandemic-informed dystopian setting.
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Emőke Baráth: a Baroque reference voice looking at bel canto
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We spoke to the Hungarian soprano about her inspirations, performing with Jaroussky and what singing means to her.
Emőke Baráth : « la musique est une affaire de franchise »
La jeune chanteuse hongroise évoque en toute simplicité son rapport à la musique et à l’opéra, son dernier album et son parcours atypique.