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Frankfurt am MainZaideNew production
Mozart: Zaide, K344 (K336b)
George Petrou; David Hermann; Oper Frankfurt; Jo Schramm; Sibylle Wallum; Joachim Klein; Opera Frankfurt Orchestra
Frankfurt am MainHänsel und Gretel
Humperdinck: Hänsel und Gretel
Alden Gatt; Keith Warner; Oper Frankfurt; Thomas Guggeis; Jason Southgate; Julia Müer; John Bishop
Frankfurt am MainDie Nacht vor Weihnachten
Rimsky-Korsakov: Christmas Eve
Takeshi Moriuchi; Christof Loy; Oper Frankfurt; Johannes Leiacker; Ursula Renzenbrink; Olaf Winter; Opera Frankfurt Orchestra
Frankfurt am MainSalome
Strauss R.: Salome
Lothar Koenigs; Barrie Kosky; Oper Frankfurt; Katrin Lea Tag; Joachim Klein; Opera Frankfurt Orchestra
Frankfurt am MainThe Greek PassionNew production
Martinů: The Greek Passion
Thomas Guggeis; Matthew Wild; Oper Frankfurt; Herbert Murauer; Raphaela Rose; Jan Hartmann; Opera Frankfurt Orchestra
Latest reviewsSee more...
A striking Carmen in Bregenz
This summer’s production of Bizet’s Carmen on the Seebühne stage in Bregenz offers a great spectacle.
On the Rake: Stravinsky at Oper Frankfurt
A largely newly cast revival of The Rake's Progress takes a while to catch fire, but when it does the results are devilishly good.
A magnificent scherzo: Siegfried in Frankfurt
The third installament of the Ring in Frankfurt took full advantage of the architecturally ingenius set to complement great music making by the orchestra and singers.
Opera of utmost truthfulness
Mieczysław Weinberg's opera The Passenger tells a story that retains a strong grip on the audience - an impressive experience at Frankfurt Opera.
Edinburgh International Festival: Dido and Aeneas and Bluebeard's Castle
Twenty-eight immobile cast members faced the audience from the long white bench which comprised the totality of Katrin Lea Tag’s bare set. Meanwhile, a floor-level, period instrument orchestra delivered the attention-grabbing, minor key Overture to Purcell's 1688 Dido and Aeneas.
Boris Godunow an der Oper Frankfurt: im Panoptikum der Unterdrückung
Die Oper Frankfurt präsentiert Boris Godunow in der Schostakowitsch-Fassung – szenisch und musikalisch aufwendig wird die Inszenierung zu einer überwältigenden Ensemble-Leistung.