Vladimir Jurowski holds all the aces at Berlin's Konzerthaus

Vladimir Jurowski conducts the Berlin Radio Symphony Orchestra

Vladimir Jurowski and Christian Tetzlaff

Katharine Mehrling and the Berlin Radio Symphony Orchestra

By Elena Luporini, 12 December 2022

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“evoked the image of a caustic grin rather than of a meditative gaze”

Reviewed at Konzerthaus: Großer Saal, Berlin on 10 December 2022

Stravinsky, Jeu de cartes

Weill, Concerto for Violin and Wind Instruments, Op.12

Goldmann, Symphony no. 1

Weill, The Seven Deadly Sins

Katharine Mehrling, Soprano

Christian Tetzlaff, Violin

Männerquartett des Vocalconsort Berlin

Berlin Radio Symphony Orchestra

Vladimir Jurowski, Conductor

Saariaho’s Notes on Light receives its Berlin premiere

Elena Luporini, 29th April

Sakari Oramo and Annsi Karttunen bring Northern lights and folklore to the Philharmonie, closing on a touch of Czech optimism with Dvořák’s Eighth Symphony.

***11

Vibrant Brahms from Jurowski, Chen and the Berlin RSO in Seoul

SangKwon Lee, 3rd May

At the Seoul Arts Center, the Berlin Radio Symphony Orchestra achieves a luminous balance of historically informed insight and modern orchestral splendour, delivering performances that feel at once deeply rooted and thrillingly alive.

****1

A searing Shostakovich 8 from Jurowski and the Berlin Radio Symphony

Alexander Hall, 4th May

One of the glories of the German musical landscape are its radio orchestras. Up there with the finest, Vladimir Jurowski’s Berliners impress in Martinů and Shostakovich, while Christian Tetzlaff forays into Suk.

*****

Old and new from Vladimir Jurowski and the Berlin RSO

Dominic Lowe, 31st August

Typically interesting programming from Jurowski gave us the Proms premiere of Adès’ Concerto for Piano and Orchestra, combined with saucy Weill and forcefully modern Rachmaninov.

****1

Vladimir Jurowski conducts the Berlin RSO with panache

Edward Sava-Segal, 5th May

Celebrating its centenary the orchestra and its chief conductor proposed a programme consisting of works (mostly) composed in the last 100 years.

****1

Remarkable Die Frau ohne Schatten marred by visual effects

Edward Sava-Segal, 4th September

At the Enescu Festival n Bucharest Vladimir Jurowski celebrates the centennial of Die Frau one Schatten’s premiere.

****1

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Elena Luporini

After completing their Master's degree in Musicology in Rome, Elena has now moved to Berlin to dedicate themselves to more things musical. With a publication on Béla Bartók and a seminar at the Humboldt-Universität underway, their interests mostly veer toward 20th-century opera, with some forays into queer musicology. Some of their latest undertakings also include oboe lessons, stencil-making and tea-making.