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Bach sheds light in an impressively dark outing from the Australian Chamber Orchestra

The Australian Chamber Orchestra at the Barbican
© Mark Allan | Barbican
Alexander Melnikov
© Mark Allan | Barbican
Jeroen Berwaerts and the ACO
© Mark Allan | Barbican
Laden, bitte warten...
Veranstaltung anzeigen
“there must always be a darkness lurking, however jaunty Shostakovich gets”
Rezensierte Veranstaltung: Barbican Hall, London, am 21 März 2025
Bach, Das Musikalische Opfer, BWV1079: Ricercar a 6 (arr. Tognetti)
Bach, Brandenburgisches Konzert Nr. 3 in G-Dur, BWV1048
Schostakowitsch, Konzert Nr. 1 in c-Moll für Klavier, Trompete und Streichorchester, Op.35
Gubaidulina, Reflections on the theme B-A-C-H, for string quartet (arr. for strings)
Bach, Well-Tempered Clavier 2: Prelude and Fugue No. 7 in E Flat Major, BWV876
Schostakowitsch, Kammersymphonie in c-Moll (arr. Rudolf Barshai), Op.110a
Hindemith, Trumpet Sonata (3rd movement)
Adès, Arcadiana, Op.12 Nr.6: Albion
Australian Chamber Orchestra
Richard Tognetti, Direktor, Violine
Jeroen Berwaerts, Trompete
Alexander Melnikov, Klavier
Ivan Podyomov, Oboe
Australian Chamber Orchestra in Melbourne: Gershwin, Shostakovich
****1
Mesmerising, but relentless Brahms and Beethoven from the ACO
****1
Why isn't the music enough? “Silence and Rapture” from the ACO
***11
Symphony or song cycle? Mahler’s Das Lied von der Erde in Sydney
***11
A walk to Beethoven: Bezuidenhout and the Australian Chamber Orchestra
***11
Young Romantic masters played by the ACO and Polina Leschenko
****1
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