Salonen leads an electrifying Boulez tribute in New York

Esa-Pekka Salonen, Pierre-Laurent Aimard and the New York Philharmonic

Esa-Pekka Salonen conducts the New York Philharmonic

By Susan Stempleski, 05 October 2025

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“an electrifying program dedicated to Boulez’s music”

Reviewed at Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City on 3 October 2025

Boulez, Notation no. 4

Boulez, Notations, for orchestra (selection)

Debussy, Images, for orchestra: Gigues

Boulez, Notation no. 7

Debussy, Images, for orchestra: Rondes de printemps

Boulez, Notation no. 2

Debussy, Fantaisie, for piano and orchestra

Debussy, La Mer

Pierre-Laurent Aimard, Piano

New York Philharmonic

Esa-Pekka Salonen, Conductor

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

Thomas Adès and Yuja Wang offer contemporary works at the NY Phil

Sam Jacobson, 23rd January

Yuja Wang returns to the New York Philharmonic with Rautavaara’s dazzling First Piano Concerto in a probing program curated and conducted by Thomas Adès.

****1

Tradition and modernity: Bronfman and Zhang shine in New York

Susan Stempleski, 15th January

Xian Zhang returns to the Philharmonic to lead a program pairing two 19th-century Romantic works with a 21st-century tone poem.

****1

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Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Esa-Pekka Salonen leads an electrifying New York Philharmonic centenary tribute to Pierre Boulez